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American Canon: Literary Genius from Emerson to Pynchon

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Our foremost literary critic on our most essential writers, from Emerson and Whitman to Hurston and Ellison, from Faulkner and O'Connor to Ursula K. LeGuin and Philip Roth.

No critic has better understood the ways writers influence one another--how literary traditions are made--and no writer has helped readers understand this better, than Harold Bloom. Over the course of a remarkable sixty-year career, in such bestselling books as The Western Canon, Shakespeare: The Invention of the Human, and How to Read and Why, Bloom brought enormous insight and infectious enthusiasm to the great writers of the Western tradition, from Shakespeare and Cervantes to the British Romantics and the Russian masters. Now, for the first time, comes a collection of his brilliant writings about the American tradition, the ultimate guide to our nation's literature.

Assembled with David Mikics (Slow Reading in a Hurried Age), this unprecedented collection gathers five decades' worth of Bloom's writings-- much of it hard to find and long unavailable--including essays, occasional pieces, and introductions as well as excerpts from his books. It offers deep readings of 47 essential American writers, reflecting on the surprising ways they have influenced each other across more than two centuries. The story it tells, of American literature as a recurring artistic struggle for selfhood, speaks to the passion and power of the American spirit.

All of the visionary American writers who have long preoccupied Bloom―Emerson and Whitman, Hawthorne and Melville, and Dickinson, Faulkner, Crane, Frost, Stevens, and Bishop―make their appearance in The American Canon, along with Hemingway, James, O'Connor, Ellison, Hurston, Le Guin, Ashbery and many others. Bloom's passion for these classic writers is contagious, and he reminds readers how they have shaped our sense of who we are, and how they can summon us to be better versions of ourselves. Bloom, Mikics writes, "is still our most inspirational critic, still the man who can enlighten us by telling us to read as if our lives depended on it: Because, he insists, they do."

For readers who want to deepen their appreciation of American literature, there's no better place to start than The American Canon.

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9781598536409
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Art of Perspective: Who Tells the Story

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A writer may have a story to tell, a sense of plot, and strong characters, but for all of these to come together some key questions must be answered. What form should the narrator take? An omniscient, invisible force, or one--or more--of the characters? But in what voice, and from what vantage point? How to decide? Avoiding prescriptive instructions or arbitrary rules, Christopher Castellani brilliantly examines the various ways writers have solved the crucial point-of-view problem. By unpacking the narrative strategies at play in the work of writers as different as E. M. Forster, Grace Paley, and Tayeb Salih, among many others, he illustrates how the author's careful manipulation of distance between narrator and character drives the story. An insightful work by an award-winning novelist and the artistic director of GrubStreet, The Art of Perspective is a fascinating discussion on a subject of perpetual interest to any writer.
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9781555977269
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Art of Voice

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In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. A poem strong in the dimension of voice is an animate thing of shifting balances, tones, and temperatures, by turns confiding, vulgar, bossy, or cunning--but above all, alive.

The twelve short chapters of The Art of Voice explore ways to create a distinctive poetic voice, including vernacular, authoritative statement, material imagination, speech register, tone-shifting, and using secondary voices as an enriching source of texture in the poem. A comprehensive appendix contains thirty stimulating models and exercises that will help poets cultivate their craft. Mining his personal experience as a poet and analyzing a wide range of examples from Catullus to Marie Howe, Hoagland provides a lively introduction to contemporary poetry and an invaluable guide for any practicing writer.

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9781324002680
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Bodies of Truth: Personal Narratives on Illness, Disability, and Medicine

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"Medicine still contains an oral tradition, passed down in stories: the stories patients tell us, the ones we tell them, and the ones we tell ourselves," writes contributor Madaline Harrison. Bodies of Truth continues this tradition through a variety of narrative approaches by writers representing all facets of health care. And, since all of us have been or will be touched by illness or disability--our own or that of a loved one--at some point in our lives, any reader of this anthology can relate to the challenges, frustrations, and pain--both physical and emotional--that the contributors have experienced.

Bodies of Truth offers perspectives on a wide array of issues, from food allergies, cancer, and neurology to mental health, autoimmune disorders, and therapeutic music. These experiences are recounted by patients, nurses, doctors, parents, children, caregivers, and others who attempt to articulate the intangible human and emotional factors that surround life when it intersects with the medical field.

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9781496203601
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Bryson's Dictionary of Troublesome Words

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One of the English language's most skilled and beloved writers guides us all toward precise, mistake-free grammar.

As usual Bill Bryson says it best: "English is a dazzlingly idiosyncratic tongue, full of quirks and irregularities that often seem willfully at odds with logic and common sense. This is a language where 'cleave' can mean to cut in half or to hold two halves together; where the simple word 'set' has 126 different meanings as a verb, 58 as a noun, and 10 as a participial adjective; where if you can run fast you are moving swiftly, but if you are stuck fast you are not moving at all; [and] where 'colonel, ' 'freight, ' 'once, ' and 'ache' are strikingly at odds with their spellings." As a copy editor for the London Times in the early 1980s, Bill Bryson felt keenly the lack of an easy-to-consult, authoritative guide to avoiding the traps and snares in English, and so he brashly suggested to a publisher that he should write one. Surprisingly, the proposition was accepted, and for "a sum of money carefully gauged not to cause embarrassment or feelings of overworth," he proceeded to write that book--his first, inaugurating his stellar career.

Now, a decade and a half later, revised, updated, and thoroughly (but not overly) Americanized, it has become Bryson's Dictionary of Troublesome Words, more than ever an essential guide to the wonderfully disordered thing that is the English language. With some one thousand entries, from "a, an" to "zoom," that feature real-world examples of questionable usage from an international array of publications, and with a helpful glossary and guide to pronunciation, this precise, prescriptive, and--because it is written by Bill Bryson--often witty book belongs on the desk of every person who cares enough about the language not to maul or misuse or distort it.

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9780767910439
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Bukowski in a Sundress

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"Somewhere between Jo Ann Beard's The Boys of My Youth and Amy Schumer's stand-up exists Kim Addonizio's style of storytelling . . . at once biting and vulnerable, nostalgic without ever veering off into sentimentality." --Refinery29

"Always vital, clever, and seductive, Addonizio is a secular Anne Lamott, a spiritual aunt to Lena Dunham." --Booklist

A dazzling, edgy, laugh-out-loud memoir from the award-winning poet and novelist that reflects on writing, drinking, dating, and more



Kim Addonizio is used to being exposed. As a writer of provocative poems and stories, she has encountered success along with snark: one critic dismissed her as "Charles Bukowski in a sundress." ("Why not Walt Whitman in a sparkly tutu?" she muses.) Now, in this utterly original memoir in essays, she opens up to chronicle the joys and indignities in the life of a writer wandering through middle age.

Addonizio vividly captures moments of inspiration at the writing desk (or bed) and adventures on the road--from a champagne-and-vodka-fueled one-night stand at a writing conference to sparsely attended readings at remote Midwestern colleges. Her crackling, unfiltered wit brings colorful life to pieces like "What Writers Do All Day," "How to Fall for a Younger Man," and "Necrophilia" (that is, sexual attraction to men who are dead inside). And she turns a tender yet still comic eye to her family: her father, who sparked her love of poetry; her mother, a former tennis champion who struggled through Parkinson's at the end of her life; and her daughter, who at a young age chanced upon some erotica she had written for Penthouse.

At once intimate and outrageous, Addonizio's memoir radiates all the wit and heartbreak and ever-sexy grittiness that her fans have come to love--and that new readers will not soon forget.

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9780143128465
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Consider This

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Renowned, bestselling novelist Chuck Palahniuk takes us behind the scenes of the writing life, with postcards from decades on the road and incredible examination of the power of fiction and the art of storytelling.

In this spellbinding blend of memoir and insight, bestselling author Chuck Palahniuk shares stories and generous advice on what makes writing powerful and what makes for powerful writing.

With advice grounded in years of careful study and a keenly observed life, Palahniuk combines practical advice and concrete examples from beloved classics, his own books, and a"kitchen-table MFA" culled from an evolving circle of beloved authors and artists, with anecdotes, postcards from the road, and much more.

Clear-eyed, sensitive, illuminating, and knowledgeable, Consider This is Palahniuk's love letter to stories and storytellers, booksellers and books themselves. Consider it a classic in the making.

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9781538717950
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Daemon Voices

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From the internationally best-selling author of the His Dark Materials trilogy, a spellbinding journey into the secrets of his art--the narratives that have shaped his vision, his experience of writing, and the keys to mastering the art of storytelling.

One of the most highly acclaimed and best-selling authors of our time now gives us a book that charts the history of his own enchantment with story--from his own books to those of Blake, Milton, Dickens, and the Brothers Grimm, among others--and delves into the role of story in education, religion, and science. At once personal and wide-ranging, Daemon Voices is both a revelation of the writing mind and the methods of a great contemporary master, and a fascinating exploration of storytelling itself.

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9780525562955
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Dear Mister Essay Writer Guy

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Dear Mister Essay Writer Guy,
I have a hot crush on the em dash. What does my need to stuff--while simultaneously fracturing--my sentences--with the meandering, the explanatory, the discursive, the perhaps not-entirely-necessary--say about me?
--Cheryl Strayed

Have you ever wished there were an advice columnist for writers, but one who didn't take things so damned seriously? This unique writing guide pairs questions sent in by top contemporary essayists with hilariously witty answers and essays from acclaimed author Dinty W. Moore. Phillip Lopate asks for advice on writing about your ex without sounding like an ass, Julianna Baggott worries that to be a great writer you must drink like a fish, and Roxane Gay asks whether it's kosher to write about writing.

Taking advantage of all the tools available to today's personal essayist--egregious puns, embarrassing anecdotes, and cocktail napkins--Professor Moore answers these questions, and more, demystifying the world of nonfiction once and for all. With a tip of the hat to history's most infamous essay--Montaigne's "Of Cannibals"--this book provides rollicking relief for writers in distress.

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9781607748090
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Draft No. 4

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The long-awaited guide to writing long-form nonfiction by the legendary author and teacher

Draft No. 4 is a master class on the writer's craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative while observing that "readers are not supposed to notice the structure. It is meant to be about as visible as someone's bones." The result is a vivid depiction of the writing process, from reporting to drafting to revising--and revising, and revising.

Draft No. 4 is enriched by multiple diagrams and by personal anecdotes and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Throughout, Draft No. 4 is enlivened by his keen sense of writing as a way of being in the world.

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9780374142742
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Dreyer's English: An Utterly Correct Guide to Clarity and Style

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NEW YORK TIMES BESTSELLER - A sharp, funny grammar guide they'll actually want to read, from Random House's longtime copy chief and one of Twitter's leading language gurus

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine - Paste - Shelf Awareness

"Essential (and delightful!)"--People

We all write, all the time: books, blogs, emails. Lots and lots of emails. And we all want to write better. Benjamin Dreyer is here to help.

As Random House's copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike--not to mention his followers on social media--for deconstructing the English language with playful erudition. Now he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward.

As authoritative as it is amusing, Dreyer's English offers lessons on punctuation, from the underloved semicolon to the enigmatic en dash; the rules and nonrules of grammar, including why it's OK to begin a sentence with "And" or "But" and to confidently split an infinitive; and why it's best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including "very," "rather," "of course," and the dreaded "actually." Dreyer will let you know whether "alright" is all right (sometimes) and even help you brush up on your spelling--though, as he notes, "The problem with mnemonic devices is that I can never remember them."

And yes: "Only godless savages eschew the series comma."

Chockful of advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people's prose, and--perhaps best of all--an utter treat for anyone who simply revels in language.

Praise for Dreyer's English

"Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer's English."--The Wall Street Journal

"Destined to become a classic."--The Millions

"Dreyer can help you . . . with tips on punctuation and spelling. . . . Even better: He'll entertain you while he's at it."--Newsday

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9780812995701
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Elements of Fiction

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In his essential writing guide, This Year You Write Your Novel, Walter Mosley supplied aspiring writers with the basic tools to write a novel in one year. In this com-plementary follow up, Mosley guides the writer through the elements of not just any fiction writing, but the kind of writing that transcends convention and truly stands out. How does one approach the genius of writers like Melville, Dickens, or Twain? In The Elements of Fiction, Walter Mosley contemplates the answer.

In a series of instructive and conversational chapters, Mosley demonstrates how to master fiction's most essential elements: character and char-acter development, plot and story, voice and narrative, context and description, and more. The result is a vivid depiction of the writing process, from the blank page to the first draft to rewriting, and rewriting again. Throughout, The Elements of Fiction is enriched by brilliant demonstrative examples that Mosley himself has written here for the first time.

Inspiring, accessible, and told in a voice both trustworthy and wise, The Elements of Fiction writing will intrigue and encourage writers and readers alike.

ISBN/SKU: 
9780802147639
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First You Write a Sentence: The Elements of Reading, Writing . . . and Life

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"Do you want to write clearer, livelier prose? This witty primer will help." --The New York Times Book Review

An exploration of how the most ordinary words can be turned into verbal constellations of extraordinary grace through the art of building sentences

The sentence is the common ground where every writer walks. A good sentence can be written (and read) by anyone if we simply give it the gift of our time, and it is as close as most of us will get to making something truly beautiful. Using minimal technical terms and sources ranging from the Bible and Shakespeare to George Orwell and Maggie Nelson, as well as scientific studies of what can best fire the reader's mind, author Joe Moran shows how we can all write in a way that is clear, compelling and alive.

Whether dealing with finding the ideal word, building a sentence, or constructing a paragraph, First You Write a Sentence informs by light example: much richer than a style guide, it can be read not only for instruction but for pleasure and delight. And along the way, it shows how good writing can help us notice the world, make ourselves known to others, and live more meaningful lives. It's an elegant gem in praise of the English sentence.

ISBN/SKU: 
9780143134343
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FLASH!

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The history of fiction has been dominated by the novel and the short story. But now there is this seemingly brave new genre around: very brief fiction. It has been called Sudden, Micro, Skinny, Hyper, Mini, Short-Short, Minute, Instant, Nano, Pill-size, Pocket-size, Postcard, and Furious. This is fiction approaching haiku, the art of few words and many suggestions.

FLASH will identify the qualities that make for excellent very short stories, will demystify the writing process, and will guide the writer by exercise and example into and through the world of the very short story. John Dufresne's characteristic warmth, wit, and humor remind the writer of the joy in the creative process, making this a perfect guide for both the novice exploring the art of fiction and the seasoned writer interested in trying a new form.

ISBN/SKU: 
9780393352351
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Have You Eaten Grandma?

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For anyone who wants to make fewer (not less) grammar mistakes, a lively, effective, and witty guide to all the ins and outs of the English language, reminiscent of the New York Times bestseller Eats, Shoots & Leaves.

Our language is changing, literary levels are declining, and our grasp of grammar is at a crisis point. From commas to colons, apostrophes to adverbs, there are countless ways we can make mistakes when writing or speaking. But do not despair! Great Britain's most popular grammar guru has created the ultimate modern manual for English speakers on both sides of the Atlantic.

In this brilliantly funny and accessible guide to proper punctuation and so much more, Gyles Brandreth explores the linguistic horrors of our times, tells us what we've been doing wrong and shows us how, in the future, we can get it right every time. Covering everything from dangling participles to transitive verbs, from age-old conundrums like "lay" vs. "lie," to the confounding influences of social media on our everyday language, Have You Eaten Grandma? is an endlessly useful and entertaining resource for all.

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9781982127404
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Heresy and the Ideal : On Contemporary Poetry

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Heresy and the Ideal is a powerful collection of essays and essay-reviews which David Baker wrote and published throughout the 1990s. He thoroughly discusses the work of more than fifty contemporary poets, including T. R. Hummer, Miller Williams, Albert Goldbarth, Jane Kenyon, Galway Kinnell, Charles Simic, Ted Kooser, David Wojahn, Alice Fulton, Louise Glück, and Charles Wright. He takes as his models some of the great critical books of the past three decades, especially Richard Howard's masterpiece, Alone with America, and Helen Vendler's Part of Nature, Part of Us, as well as other works by Laurence Lieberman, Majorie Perloff, Carol Muske, and Mary Kinzie. At its center, Heresy and the Ideal is based on Baker's sense of Romantic poetics, especially on how contemporary poets have applied, altered, or rejected certain Romantic principles. He uses the Romantic trope to measure the tension between passion and reason and between the problems of literary transcendence and the obligations of social engagement. The result is a welcome variety of enlightening, practical criticism devoid of exclusionary jargon and based on persistent attention to an individual poem or book of poems. Utilizing the essay-review, Baker considers each poet's purposes and achievements. He blends the strategies of explanation, analysis, and evaluation, clarifying each poet's work instead of complaining or condemning. Heresy and the Ideal addresses a wide and diverse range of contemporary poetry and should take a deserved place both as a critical introduction to the work of many important poets and as a work that documents and explores the shape of poetry at the end of the millennium.
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9781557286031
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How Poems Get Made

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Each of the twelve chapters of How Poems Get Made examines a specific aspect of the poetic medium: diction, syntax, rhythm, echo, figure, repetition, and more. Acclaimed poet and critic James Longenbach shows how a poet may manipulate these most basic elements of diction and syntax to create voice, image, tone, or song, and bring a poem to life. Why does a great lyric poem ask to be reread, even after we know it by heart?

In How Poems Get Made, Longenbach answers this question by discussing a wide spectrum of exemplary poems, from Shakespeare through Dickinson, Stevens, and Moore, to a variety of poets making poems today. How Poems Get Made is the perfect guide both in the classroom and beyond. Longenbach's clear, wise lessons are essential to anyone interested in composing or appreciating a poem.

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9780393355208
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How to Craft a Great Story

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How to Craft a Great Story takes you step by step through the process of creating a compelling and coherent plot and structure. It covers such basics as the traditional story arcs, and such advanced information as finding balance and marrying structure and form.

Each chapter contains a diagnostic test, case studies, practical exercises, and Aide Memoire boxes. Each chapter concludes with a reminder of the key points of the chapter (Focus Points) and a round-up of what to expect in the next (Next Step) will whet your appetite for what's coming and how it relates to what you've just read.

Covering some of the most commonly raised questions in creative writing courses, it is perfect for anyone who needs the next step on from the basic 'how to write a novel'.

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9781473688452
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How to Write a Sentence

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New York Times Bestseller

"Both deeper and more democratic than The Elements of Style" - Adam Haslett, Financial Times

"A guided tour through some of the most beautiful, arresting sentences in the English language." - Slate

"Like a long periodic sentence, this book rumbles along, gathers steam, shifts gears, and packs a wallop."
--Roy Blount Jr.

In this entertaining and erudite New York Times bestseller, beloved professor Stanley Fish offers both sentence craft and sentence pleasure. Drawing on a wide range of great writers, from Philip Roth to Antonin Scalia to Jane Austen, How to Write a Sentence is much more than a writing manual--it is a spirited love letter to the written word, and a key to understanding how great writing works.



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9780061840531
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Making of Poetry: Coleridge, the Wordsworths, and Their Year of Marvels

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Brimming with poetry, art, and nature writing--Wordsworth and Coleridge as you've never seen them before

June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and "Kubla Khan," as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth's revolutionary songs in Lyrical Ballads along with "Tintern Abbey," Wordsworth's paean to the unity of soul and cosmos, love and understanding.

In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood.

The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it.

The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.

ISBN/SKU: 
9780374200213
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Mindful Writer

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Find inspiration and insight on writing as a spiritual practice through astute quotes, thoughtful advice, and productive exercises on both mindfulness and craft.

This isn't your typical "how to write" book. Author Dinty W. Moore, a well-respected writing coach and teacher, thoughtfully illuminates the creative process: where writing and creativity originate, how mindfulness plays into work, how to cultivate good writing habits and grow as a person, and what it means to live a life dedicated to writing.

The Mindful Writer features bite-sized essays that will delight and inform not only writers, but also other artists, mediators and mindfulness practitioners. Built around heartening quotes from famous writers and thinkers, it is a resource that readers will turn to again and again for guidance and encouragement.

This edition includes a new introduction exploring the centrality of mindfulness in a writer's practice and craft as well as a selection of writing prompts to get you started on writing mindfully right away.

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9781614293521
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No Plot? No Problem! Revised and Expanded Edition

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Chris Baty, founder of the wildly successful literary marathon known as National Novel Writing Month, has completely revised and expanded his definitive handbook for extreme noveling. Chris pulls from over 15 years of results-oriented writing experience to pack this compendium with new tips and tricks, ranging from week-by-week quick reference guides to encouraging advice from authors, and much more. His motivating mix of fearless optimism and practical solutions to common excuses gives both first-time novelists and results-oriented writers the kick-start they need to embark on an exhilarating creative adventure.
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9781452124773
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Nobody's Looking at You: Essays

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A New York Times Book Review Editors' Choice. A 2019 NPR Staff Pick.

"Malcolm is always worth reading; it can be instructive to see how much satisfying craft she brings to even the most trivial article." --Phillip Lopate, TLS

Janet Malcolm's previous collection, Forty-One False Starts: Essays on Artists and Writers, was "unmistakably the work of a master" (The New York Times Book Review). Like Forty-One False Starts, Nobody's Looking at You brings together previously uncompiled pieces, mainly from The New Yorker and The New York Review of Books.

The title piece of this wonderfully eclectic collection is a profile of the fashion designer Eileen Fisher, whose mother often said to her, "Nobody's looking at you." But in every piece in this volume, Malcolm looks closely and with impunity at a broad range of subjects, from Donald Trump's TV nemesis Rachel Maddow, to the stiletto-heel-wearing pianist Yuju Wang, to "the big-league game" of Supreme Court confirmation hearings. In an essay called "Socks," the Pevears are seen as the "sort of asteroid [that] has hit the safe world of Russian Literature in English translation," and in "Dreams and Anna Karenina," the focus is Tolstoy, "one of literature's greatest masters of manipulative techniques." Nobody's Looking at You concludes with "Pandora's Click," a brief, cautionary piece about e-mail etiquette that was written in the early two thousands, and that reverberates--albeit painfully--to this day.

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9780374279493
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On Writing : A Memoir of the Craft, 10th Anniversary Edition

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Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King's critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.

"Long live the King" hailed Entertainment Weekly upon publication of Stephen King's On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999--and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it--fans, writers, and anyone who loves a great story well told.

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9781439156810
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Pity the Reader

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The art and craft of writing by one of the few grandmasters of American literature, a bonanza for writers and readers co-written by Kurt Vonnegut's former student.

Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he's given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition. McConnell has outfitted us for the journey, and in these 37 chapters covers the waterfront of how one American writer brought himself to the pinnacle of the writing art, and we can all benefit as a result.

Kurt Vonnegut was one of the few grandmasters of American literature, whose novels continue to influence new generations about the ways in which our imaginations can help us to live. Few aspects of his contribution have not been plumbed--fourteen novels, collections of his speeches, his essays, his letters, his plays--so this fresh view of him, written by a former student, is a bonanza for writers and readers and Vonnegut fans everywhere.

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9781609809621
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Rose Metal Press Field Guide to Writing Flash Nonfiction

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Literary Nonfiction. Writing Reference. Unmatched in its focus on a concise and popular emerging genre, THE ROSE METAL PRESS FIELD GUIDE TO WRITING FLASH NONFICTION features 26 eminent writers, editors, and teachers offering expert analysis, focused exercises, and helpful examples of what make the brief essay form such a perfect medium for experimentation, insight, and illumination. With a comprehensive introduction to the genre and book by editor Dinty W. Moore, this guide is perfect for both the classroom and the individual writer's desk an essential handbook for anyone interested in the scintillating and succinct flash nonfiction form. How many words does it take to tell a compelling true story? The answer might surprise you.

Featuring essays from: Barrie Jean Borich, Jenny Boully, Norma Elia Cantu, Rigoberto Gonzalez, Carol Guess, Jeff Gundy, Philip Graham, Robin Hemley, Barbara Hurd, Judith Kitchen, Eric LeMay, Dinah Lenney, Bret Lott, Patrick Madden, Lee Martin, Maggie McKnight, Brenda Miller, Kyle Minor, Aimee Nezhukumatathil, Anne Panning, Lia Purpura, Sue William Silverman, Jennifer Sinor, Peggy Shumaker, Ira Sukrungruang, and Nicole Walker.

"THE ROSE METAL PRESS FIELD GUIDE TO WRITING FLASH NONFICTION, edited by the invaluable Dinty W. Moore, is a lot more than flashy. These thoughtful, thought-provoking essays and exercises have the paradoxical effect of slowing down our attention and encouraging an expansion of the moment, while seeming to be saving writing and reading time. A very useful compilation." Phillip Lopate, author of Art of the Personal Essay

"Flash-in-the-pan? Hardly. The flash nonfiction genre has staying power, and THE ROSE METAL PRESS FIELD GUIDE TO WRITING FLASH NONFICTION will show you why. Opening with a thorough and informative history of the genre, renowned writer, editor, and teacher Dinty W. Moore assembles a cast of writers who share their expertise, suggest writing exercises, and provide exemplary models of the best flash nonfiction being written today. This book is required reading for any writer, editor, or teacher of the brief nonfiction form." Rebecca McClanahan, author of The Riddle Song and Other Rememberings and Word Painting"
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9780984616664
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Rub of Time

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As a journalist, critic, and novelist, Martin Amis has always turned his keen intellect and unrivaled prose loose on an astonishing range of topics--politics, sports, celebrity, America, and, of course, literature. Collected here is some of his best nonfiction work from over two decades. Amis writes about finally confronting the effects of aging on his athletic prowess. He revisits the worlds of Bellow and Nabokov, his "twin peaks," masters who have obsessed and inspired him. And he turns his piercingly observant eye on Donald Trump, whom he finds "scowling out from under an omelette of makeup" in the run-up to the 2016 Republican Convention, and at a post-election rally, regarding his crowd of supporters with a "flat sneer of Ozymandian hauteur."

Overflowing with startling and singular turns of phrase, and complete with new commentary by the author, The Rub of Time is a vital addition to any bookshelf, and the perfect primer for readers discovering Amis's fierce talents for the first time.

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9781400044535
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