Sitewide Message
Free Shipping For All Orders Over $100
U.S. Only - $9.99 ground Shipping for Orders Less Than $100
Additional shipping charges to Hawaii and Alaska
Textbooks Available for In-store Pickup Only
A Foul Form
by Osees
DESCRIPTION "Brain stem cracking scum-punk recorded tersely in the basement of my home. After a notoriously frustrating eon, the knee-jerk song path was aggressive and hooky. This is an homage to the punk bands we grew up on-the weirdos and art freaks that piqued our interests and pointed us on the trail head to here / now. Bad times make for strong music is something I agree with. I would say that is evident by the past few years of output from the underground. Transmissions have been all over the map: scanning... searching... sweeping out in the darkness looking for a foot hold. "[Osees] A Foul From represents some of our most savage and primal instincts. Fight or flight. And the importance of a sense of humor in the darkest hour. Nothing wrong with keeping it snappy in the meantime. For fans of Rudimentary Peni, Crass, Bad Brains, Black Flag, Screamers, Abwarts, Stooges and all things aggressively tilted towards your face. You can lean back but don't flinch... it's a brief foray into the exhausting pogo pit, so stiffen your back and jerk with your knees. Enjoy." -John Dwyer
- Please log in to review this product
VIOLET BENT BACKWARDS OVER THE GRASS
Violet Bent Backwards Over The Grass
by Lana Del Rey
Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic. — Lana Del Rey….The recording includes 14 poems performed by Lana Del Rey accompanied by music from Grammy Award-Winning songwriter/producer Jack Antonoff.
LP: 180-GRAM VINYL
TRACKLISTING:
- LA Who Am I To Love You
- The Land Of 1,000 Fires
- Violet Bent Backwards Over The Grass
- Past The Bushes Cypress Thriving
- Salamander
- Never To Heaven
- SportCruiser
- Tessa DiPietro
- Quiet Waiter Blue Forever
- What Happened When I Left You
- Happy
- My Bedroom Is A Sacred Place Now – There Are Children At The Foot Of My Bed
- Paradise Is Very Fragile
- Bare Feet On Linoleum
Format:
- Please log in to review this product
10,000 gecs
- Please log in to review this product
12
12 (Clear Vinyl)
by Ryuichi Sakamoto
Artist | Ryuichi Sakamoto |
---|---|
Format | Vinyl |
Manufacturer | Milan |
Released | 06/23/2023 |
- Please log in to review this product
1989
1989 [Import] (2 Lp's)
by Taylor SwiftWhen she announced 1989 a few months prior to its October 2014 release, Taylor Swift called her sixth record her first "documented, official" pop album, explicitly severing herself from her country roots. Truth be told, Swift already made the leap from country to pop with 2012's Red, a nominally country LP distinguished by three songs co-written and produced by Max Martin and Shellback, a team that returns for twice that number on 1989 (Martin has one additional non-Shellback co-write with Swift). Taylor is rarely without co-writers here: only "This Love" belongs to her alone, with the other major collaborators being OneRepublic's Ryan Tedder, fun.'s Jack Antonoff, and Imogen Heap. This busy kitchen is typical of modern pop albums, as is the incessant gleam of 1989's steely productions, every element of which blinds when caught in the sun. Swift claims she patterned the album's sound after the MTV-ready sound of the year 1989, and while some cuts are conceivably anchored in the era of Debbie Gibson and George Michael -- "Shake It Off" is giddy on the momentum of its own pom-poms, the bonus track "New Romantics" effectively conjures the ghost of 1983 new wave, "Out of the Woods" veers into territory previously pioneered by one-video wonder T'Pau (their big hit "Heart and Soul" arrived in 1987, two years before Taylor's year zero) -- this is a modern album through and through. The heavy presence of Martin, who wound up producing all the vocals along with half the record, is something of a feint. Swift tailored 1989 after Tedder's patterns, constructing nearly every one of the album's 13 tracks as an imposing skyscraper that deliberately casts its shadow upon on its predecessor. Considering that this album begins with the fanfare of "Welcome to New York," that progressive escalation in size is something to behold. 1989 emphasizes its reflective surfaces, the hyperactive rhythm tracks -- dance by definition but rarely danceable in practice (the effervescent "How You Get the Girl" is an exception) -- functioning as an aural accent to the surging synthesizers and vocals. Underneath the digital clatter lie some sturdy songs because, at her core, Swift is a canny songsmith, but 1989 isn't a record about songs, it's all about sonic style. ~ Stephen Thomas Erlewine
Format:
Vinyl
- Please log in to review this product
1989 (Taylor's Version)
Package details:
1989 (Taylor’s Version) Vinyl
21 Songs
Including 5 previously unreleased songs from The Vault
2 Crystal Skies Blue vinyl discs
- Please log in to review this product
3 Feet And Rising (180g Yellow)
3 Feet High And Rising - Yellow [Explicit Content] (Colored Vinyl, Yellow, 180 Gram Vinyl) (2 Lp's)
by De La Soul
DESCRIPTION 3 Feet High and Rising is the debut studio album by hip hop trio de la Soul and was released on March 3, 1989. It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number, " "Buddy, " and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held it's annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, de la Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a "hippie" group, based on their declaration of the "D.A.I.S.Y. Age" (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).
TracksCredits 1 A 1 Intro 2 A 2 the Magic Number 3 A 3 Change in Speak 4 A 4 Cool Breeze on the Rocks (The Melted Version) 5 A 5 Can U Keep a Secret 6 A 6 Jenifa Taught Me (Derwin's Revenge) 7 A 7 Ghetto Thang 8 B 1 Transmitting Live from Mars 9 B 2 Eye Know 10 B 3 Take It Off 11 B 4 a Little Bit of Soap 12 B 5 Tread Water 13 B 6 Potholes in My Lawn 14 C 1 Say No Go 15 C 2 Do As de la Does 16 C 3 Plug Tunin' (Last Chance to Comprehend) 17 C 4 de la Orgee 18 C 5 Buddy (With Jungle Brothers and Q-Tip from a Tribe Called Quest) 19 D 1 Description 20 D 2 Me Myself and I 21 D 3 This Is a Recording 4 Living in a Full Time Era (L.I.F.E.) 22 D 4 I Can Do Anything (Delacratic) 23 D 5 D.A.I.S.Y. Age
Format:
- Please log in to review this product
3 Feet And Rising (180g)
- Please log in to review this product
3 FEET HIGH AND RISING
3 Feet High And Rising - Magenta [Explicit Content] (Colored Vinyl, Magenta, 180 Gram Vinyl) (2 LP'S)
by De La Soul
Format:
- Please log in to review this product
50 Years of De-Evolution 1973-2023
- Please log in to review this product
A DEEPER UNDERSTANDING
- Please log in to review this product
A Light For Attracting Attention
by The Smile
- Please log in to review this product
A Love Supreme
Personnel: John Coltrane (tenor saxophone); McCoy Tyner (piano); Jimmy Garrison (acoustic bass); Elvin Jones (drums). Producer: Bob Thiele. Reissue producer: Michael Cuscuna. Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on December 9, 1964. Includes liner notes by John Coltrane and Michael Cuscuna. Digitally remastered using 20-bit technology by Erick Labson. Personnel: John Coltrane (vocals, tenor saxophone); Archie Shepp (tenor saxophone); McCoy Tyner (piano); Jimmy Garrison, Art Davis (bass); Elvin Jones (drums). Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey and The Festival Mondial Du Jazz Antibes, Juan-Les-Pins, France between December 1964 & July 1965. Includes liner notes by John Coltrane, Ashley Kahn, Ravi Coltrane. All tracks have been digitally remastered. A LOVE SUPREME is the essential example of the genius of John Coltrane. In what has become the apotheosis of jazz music, this eminently accessible work bridges the gap between music and spirituality, between art and life. With the ultimate incarnation of the jazz quartet, Coltrane brings together all of his turbulent elements into a cohesive paean to spirituality, one which is fully appreciable by the uninitiated. A LOVE SUPREME is a 33-minute work divided into four movements. "Acknowledgment" starts the album with a heraldic summoning from Coltrane's tenor saxophone, full and joyous, which approximates the tone of the prayer he provides in the album's liner notes. The solo that follows reveals an artist whose spiritual depth and emotional urgency are matched by an adherence to logic and a resolve to achieve one goal above all--communication. Each simple musical statement is either followed by a motivic development or countered with a conversational response. Coltrane climaxes with a distilled four-note motif echoing the album's title, which he plays with by sequencing it through a wide array of tonalities. Finally, the band comes in, reiterating this idea, chanting the mantra "A Love Supreme." "Acknowledgment" is followed by the torrential release of "Resolution," whose melody Coltrane fervently states to the animated accompaniment of his superb rhythm section. Laying the groundwork is drummer Elvin Jones, who approximates the effect of multiple percussionists feeding off of each other, creating an enormous texture of rhythm. McCoy Tyner's colorful piano clusters act as gusts of wind supporting Trane's soaring expressions. Bassist Jimmy Garrision takes the low road, keeping everyone on track. With support like this, Coltrane is free to explore the uncharted depths of his soul. On "Resolution," we can hear the very fabric of Trane's voice being stretched to the limit, as if even the horn which he has mastered is not a worthy enough vehicle for this man's spirit. The rousing "Pursuance" features some vigorously swinging playing from Tyner, furiously followed by Coltrane's climaxes in an inspired hurling of ideas. Bassist Garrison brings us to A LOVE SUPREME's conclusion, an extended "Psalm" that acts as a resolved denouement in which Trane slowly muses over a lush bed of tranquil sounds--almost as if he were reflecting upon the wisdom achieved at this apex of his spiritual journey. Although the music is slowed, the level of intensity is maintained, as if we've reached a plateau upon which we may ponder what is pronounced in the liner notes, "Elation--Elegance--Exaltation--All from God." Via John Coltrane.
Format:
- Please log in to review this product
Adrenaline
Adrenaline (180 Gram Vinyl)
by Deftones
Format:
- Please log in to review this product
aja
- Please log in to review this product
AL GREEN EXPLORES YOUR MIND
- Please log in to review this product
ALADDIN SANE (PICTURE SLEEVE)
ON SALE 4/14/2023
- Please log in to review this product
AM
Am (180 Gram Vinyl plus Digital Download Card)
- Please log in to review this product
AMERICAN BEAUTY
American Beauty
by Grateful Dead
Who says discipline is a bad thing? No one who's heard American Beauty, the Dead's greatest studio achievement. Showcasing 10 concise, country-rooted gems that sound equally good whether you're hanging on the front porch in the afternoon or nursing a bottle after hours, this one could win over many an anti-Jerry. Bewildered by loss both personal and social--the hippie dream was quickly crashing by Beauty's 1970 release date--the band put its querulousness ("Box of Rain") and wry humor ("Truckin'") into the service of a masterwork. The most impressive cut of all may be "Ripple," Garcia's spiritual credo. --Rickey Wright
- Please log in to review this product
American Beauty (Limeade Colored Vinyl)
- Please log in to review this product
An Evening with Silk Sonic
- Please log in to review this product
And In the Darkness, Hearts Aglow
- Please log in to review this product
Ants From Up There
Ants From Up There (With Booklet, 140 Gram Vinyl, Black, Gatefold LP Jacket, Digital Download Card) (2 Lp's)
by Black Country, New Road
- Please log in to review this product
Aoxomoxoa
- Please log in to review this product