American Histor

NAMED A BEST BOOK OF THE YEAR BY ESQUIRE, THE IRISH TIMES AND THE TIMES LITERARY SUPPLEMENT

A provocative history of men who were worshipped as gods that illuminates the connection between power and religion and the role of divinity in a secular age

In a revelatory history spanning five centuries, a cast of surprising deities helps to shed light on the thorny questions of how our modern concept of "religion" was invented; why religion and politics are perpetually entangled in our supposedly secular age; and how the power to call someone divine has been used and abused by both oppressors and the oppressed. From nationalist uprisings in India to Nigerien spirit possession cults, Anna Della Subin explores how deification has been a means of defiance for colonized peoples. Conversely, we see how Columbus, Cortés, and other white explorers amplified stories of their godhood to justify their dominion over native peoples, setting into motion the currents of racism and exclusion that have plagued the New World ever since they touched its shores.

At once deeply learned and delightfully antic, Accidental Gods offers an unusual keyhole through which to observe the creation of our modern world. It is that rare thing: a lyrical, entertaining work of ideas, one that marks the debut of a remarkable literary career.

The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing--nobody's supposed to. So, of course, that's what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown.

And then he made sense of it--seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk's hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day--a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders.

As a work of cultural exegesis, this is sneakily significant, even a landmark; it's also ludicrously fun. Wolk sees fascinating patterns--the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story's progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it's also a revelation for readers who don't know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.

New York Times bestselling author and Edgar Award-winner Daniel Stashower returns with American Demon, a historical true crime starring legendary lawman Eliot Ness.

Boston had its Strangler. California had the Zodiac Killer. And in the depths of the Great Depression, Cleveland had the Mad Butcher of Kingsbury Run.

On September 5th, 1934, a young beachcomber made a gruesome discovery on the shores of Cleveland's Lake Erie: the lower half of a female torso, neatly severed at the waist. The victim, dubbed "The Lady of the Lake," was only the first of a butcher's dozen. Over the next four years, twelve more bodies would be scattered across the city. The bodies were dismembered with surgical precision and drained of blood. Some were beheaded while still alive.

Terror gripped the city. Amid the growing uproar, Cleveland's besieged mayor turned to his newly-appointed director of public safety: Eliot Ness. Ness had come to Cleveland fresh from his headline-grabbing exploits in Chicago, where he and his band of "Untouchables" led the frontline assault on Al Capone's bootlegging empire. Now he would confront a case that would redefine his storied career.

Award-winning author Daniel Stashower shines a fresh light on one of the most notorious puzzles in the annals of crime, and uncovers the gripping story of Ness's hunt for a sadistic killer who was as brilliant as he was cool and composed, a mastermind who was able to hide in plain sight. American Demon reconstructs this ultimate battle of wits between a hero and a madman.

From legendary historian Adam Hochschild, a groundbreaking reassessment of the overlooked but startlingly resonant period between World War I and the Roaring Twenties, when the foundations of American democracy were threated by war, pandemic, and violence fueled by battles over race, immigration, and the rights of labor

A riveting, resonant account of the fragility of freedom."--Kirkus, STARRED review

The nation was on the brink. Mobs burned Black churches to the ground. Courts threw thousands of people into prison for opinions they voiced--in one notable case, only in private. Self-appointed vigilantes executed tens of thousands of citizens' arrests. Some seventy-five newspapers and magazines were banned from the mail and forced to close. When the government stepped in, it was often to fan the flames.

This was America during and after the Great War: a brief but appalling era blighted by lynchings, censorship, and the sadistic, sometimes fatal abuse of conscientious objectors in military prisons--a time whose toxic currents of racism, nativism, red-baiting, and contempt for the rule of law then flowed directly through the intervening decades to poison our own. It was a tumultuous period defined by a diverse and colorful cast of characters, some of whom fueled the injustice while others fought against it: from the sphinxlike Woodrow Wilson, to the fiery antiwar advocates Kate Richards O'Hare and Emma Goldman, to labor champion Eugene Debs, to a little-known but ambitious bureaucrat named J. Edgar Hoover, and to an outspoken leftwing agitator--who was in fact Hoover's star undercover agent. It is a time that we have mostly forgotten about, until now.

InAmerican Midnight, award-winning historian Adam Hochschild brings alive the horrifying yet inspiring four years following the U.S. entry into the First World War, spotlighting forgotten repression while celebrating an unforgettable set of Americans who strove to fix their fractured country--and showing how their struggles still guide us today.

Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.

With growing support for movements such as the campaign to abolish Columbus Day and replace it with Indigenous Peoples' Day and the Dakota Access Pipeline protest led by the Standing Rock Sioux Tribe, An Indigenous Peoples' History of the United States is an essential resource providing historical threads that are crucial for understanding the present. In An Indigenous Peoples' History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: "The country can be rid of them only by exterminating them."

Spanning more than four hundred years, this classic bottom-up peoples' history radically reframes US history and explodes the silences that have haunted our national narrative.

An Indigenous Peoples' History of the United States is a 2015 PEN Oakland-Josephine Miles Award for Excellence in Literature.

Pringle's fast-paced book is a master class in investigative journalism... when institutions collude to protect one another, reporting may be our last best hope for accountability.
--The New York Times

For fans of Spotlight and Catch and Kill comes a nonfiction thriller about corruption and betrayal radiating across Los Angeles from one of the region's most powerful institutions, a riveting tale from a Pulitzer-prize winning journalist who investigated the shocking events and helped bring justice in the face of formidable odds.

On a cool, overcast afternoon in April 2016, a salacious tip arrived at the L.A. Times that reporter Paul Pringle thought should have taken, at most, a few weeks to check out: a drug overdose at a fancy hotel involving one of the University of Southern California's shiniest stars--Dr. Carmen Puliafito, the head of the prestigious medical school. Pringle, who'd long done battle with USC and its almost impenetrable culture of silence, knew reporting the story wouldn't be a walk in the park. USC is one of the biggest employers in L.A., and it casts a long shadow.

But what he couldn't have foreseen was that this tip would lead to the unveiling of not one major scandal at USC but two, wrapped in a web of crimes and cover-ups. The rot rooted out by Pringle and his colleagues at The Times would creep closer to home than they could have imagined--spilling into their own newsroom.

Packed with details never before disclosed, Pringle goes behind the scenes to reveal how he and his fellow reporters triumphed over the city's debased institutions, in a narrative that reads like L.A. noir. This is L.A. at its darkest and investigative journalism at its brightest.

A brilliantly conceived volume. Bryan Shih and Yohuru Williams demonstrate why the Panthers' story-its lessons and failures-even fifty years after its founding remains key to understanding national and international struggles for freedom and justice today. -- Cheryl Finley, professor and director of visual studies, Cornell University

Even fifty years after it was founded, the Black Panther Party remains one of the most misunderstood political organizations of the twentieth century. But beyond the labels of extremist and violent that have marked the party, and beyond charismatic leaders like Huey Newton, Bobby Seale, and Eldridge Cleaver, were the ordinary men and women who made up the Panther rank and file.

In The Black Panthers, photojournalist Bryan Shih and historian Yohuru Williams offer a reappraisal of the party's history and legacy. Through stunning portraits and interviews with surviving Panthers, as well as illuminating essays by leading scholars, The Black Panthers reveals party members' grit and battle scars-and the undying love for the people that kept them going.

Vanity Fair's Joe Pompeo investigates the notorious 1922 double murder of a high-society minister and his secret mistress, a Jazz Age mega-crime that propelled tabloid news in the 20th century.

On September 16, 1922, the bodies of Reverend Edward Hall and Eleanor Mills were found beneath a crabapple tree on an abandoned farm outside of New Brunswick, New Jersey. The killer had arranged the bodies in a pose conveying intimacy.

The murder of Hall, a prominent clergyman whose wife, Frances Hall, was a proud heiress with illustrious ancestors and ties to the Johnson & Johnson dynasty, would have made headlines on its own. But when authorities identified Eleanor Mills as a choir singer from his church married to the church sexton, the story shocked locals and sent the scandal ricocheting around the country, fueling the nascent tabloid industry. This provincial double murder on a lonely lover's lane would soon become one of the most famous killings in American history--a veritable crime of the century.

The bumbling local authorities failed to secure any indictments, however, and it took a swashbuckling crusade by the editor of a circulation-hungry Hearst tabloid to revive the case and bring it to trial at last.

Blood & Ink freshly chronicles what remains one of the most electrifying but forgotten murder mysteries in U.S. history. It also traces the birth of American tabloid journalism, pandering to the masses with sordid tales of love, sex, money, and murder.

"Belew's book helps explain how we got to today's alt right."―Terry Gross, Fresh Air

The white power movement in America wants a revolution. Its soldiers are not lone wolves but highly organized cadres motivated by a coherent and deeply troubling worldview made up of white supremacy, virulent anticommunism, and apocalyptic faith. In Bring the War Home, Kathleen Belew gives us the history of a movement that consolidated in the 1970s and 1980s around a potent sense of betrayal in the Vietnam War and made tragic headlines in Waco and Ruby Ridge and with the Oklahoma City bombing and is resurgent under President Trump.

Returning to an America ripped apart by a war they felt they were not allowed to win, a small group of veterans and active-duty military personnel and civilian supporters concluded that waging war on their own country was justified. They unified people from a variety of militant groups, including Klansmen, neo-Nazis, skinheads, radical tax protestors, and white separatists to form a new movement of loosely affiliated independent cells to avoid detection. The white power movement operated with discipline and clarity, undertaking assassinations, armed robbery, counterfeiting, and weapons trafficking. Its command structure gave women a prominent place and put them in charge of brokering alliances and birthing future recruits.

Belew's disturbing and timely history reminds us that war cannot be contained in time and space: grievances intensify and violence becomes a logical course of action. Based on years of deep immersion in previously classified FBI files and on extensive interviews, Bring the War Home tells the story of American paramilitarism and the birth of the alt-right.

Includes an All-New Afterword.

An unflinching account of America's most horrific racial massacre, The Burning is essential reading as America finally comes to terms with its racial past.

When first published in 2001, society apparently wasn't ready for such an unstinting narrative. After it was published, The Burning, like its subject matter, remained unknown to most in America. That has changed dramatically.

"I began to suspect that a crucial piece remained missing from America's long attempts at racial reconciliation," Madigan wrote in 2001 in the author's note to The Burning. "Too many in this country remained as ignorant as I was. Too many were just as oblivious to some of the darkest moments in our history, a legacy of which Tulsa is both a tragic example and a shameful metaphor. How can we heal when we don't know what we're healing from?"

Now, 100 years after the massacre, Madigan brings new resonance to these questions in the reissue of this definitive work of American history. Featuring a brand new afterword, The Burning skillfully places the Tulsa Massacre in a broader historical context. Rather than an exception, the massacre was completely consistent with that time in the United States, an era of Jim Crow, widespread lynching, and racism endorsed and promulgated at the highest levels of society. Such were the foundations of the systemic racism at the root of our problems today.

On the morning of June 1, 1921, a white mob numbering in the thousands marched across the railroad tracks dividing Black from white in Tulsa, Oklahoma, and obliterated a Black community then celebrated as one of America's most prosperous. 34 square blocks of Tulsa's Greenwood community, known then as the Negro Wall Street of America, were reduced to smoldering rubble.

And now, 100 years later, the death toll of what is known as the Tulsa Race Massacre is more difficult to pinpoint. Conservative estimates put the number of dead at about 100 (75% of the victims are believed to have been Black), but the actual number of casualties could be triple that. The Tulsa Race Riot Commission, formed to determine exactly what happened, has recommended that restitution to the historic Greenwood Community would be good public policy and do much to repair the emotional as well as physical scars of this most terrible incident in our shared past.

With chilling details, humanity, and the narrative thrust of compelling fiction, The Burning recreates the town of Greenwood at the height of its prosperity, explores the currents of hatred, racism, and mistrust between its Black residents and neighboring Tulsa's white population, narrates events leading up to and including Greenwood's annihilation, and documents the subsequent silence that surrounded the tragedy.

For Pulitzer Prize-winning historian Joseph J. Ellis, The Cause marks the culmination of a lifetime of engagement with the founding era, completing a trilogy of books that began with Founding Brothers. Here Ellis, countering popular histories that romanticize the "Spirit of '76," demonstrates through "evocative profiles of British loyalists, slaves, Native Americans and soldiers uncertain of what was being founded" (Christopher Borrelli, Chicago Tribune) that the rebels fought not for a nation but under the mantle of "The Cause," a mutable, conveniently ambiguous principle all but destined to give rise to the warring factions of later American history. Combining action-packed tales of North American military campaigns with characteristically trenchant insight, The Cause "deftly foreshadows all the issues that would complicate America's trajectory" (Richard Stengel, New York Times Book Review), forcing us to finally reconsider the story we have long told ourselves about our origins--as a people, and as a nation.

"At the intersection of his expertise and our need for coherence about our national founding arrives historian Joseph J. Ellis. . . . Ellis is no apologist, but he is a chronicler of the entire revolution, its best aspirations, its worst contradictions, and its ongoing dilemmas." --Hugh Hewitt, Washington Post

In 1865, the Confederacy was comprehensively defeated, its economy shattered, its leaders in exile or in jail. Yet in the years that followed, Lincoln's vision of a genuinely united country never took root. Apart from a few brief months, when the presence of the Union army in the South proved liberating for newly freed Black Americans, the military victory was squandered. Old white supremacist efforts returned, more ferocious than before.

In Civil War by Other Means, Jeremi Suri shows how resistance to a more equal Union began immediately. From the first postwar riots to the return of Confederate exiles, to the impeachment of Andrew Johnson, to the highly contested and consequential election of 1876, Suri explores the conflicts and questions Americans wrestled with as competing visions of democracy, race, and freedom came to a vicious breaking point.

What emerges is a vivid and at times unsettling portrait of a country striving to rebuild itself, but unable to compromise on or adhere to the most basic democratic tenets. What should have been a moment of national renewal was ultimately wasted, with reverberations still felt today. The recent shocks to American democracy are rooted in this forgotten, urgent history.

The story of the fascinating, fraught alliance among Frederick Douglass, William Lloyd Garrison, and Maria Weston Chapman--and how its breakup led to the success of America's most important social movement.

"Fresh, provocative and engrossing." --New York Times

In the crucial early years of the Abolition movement, the Boston branch of the cause seized upon the star power of the eloquent ex-slave Frederick Douglass to make its case for slaves' freedom. Journalist William Lloyd Garrison promoted emancipation while Garrison loyalist Maria Weston Chapman, known as "the Contessa," raised money and managed Douglass's speaking tour from her Boston townhouse.

Conventional histories have seen Douglass's departure for the New York wing of the Abolition party as a result of a rift between Douglass and Garrison. But, as acclaimed historian Linda Hirshman reveals, this completely misses the woman in power. Weston Chapman wrote cutting letters to Douglass, doubting his loyalty; the Bostonian abolitionists were shot through with racist prejudice, even aiming the N-word at Douglass among themselves. Through incisive, original analysis, Hirshman convinces that the inevitable breakup was in fact a successful failure. Eventually, as the most sought-after Black activist in America, Douglass was able to dangle the prize of his endorsement over the Republican Party's candidate for president, Abraham Lincoln. Two years later the abolition of slavery--if not the abolition of racism--became immutable law.