Art

Ai Weiwei: Beijing Photographs 1993-2003 is an autobiography in pictures. Ai Weiwei is China's most celebrated contemporary artist, and its most outspoken domestic critic. In April 2011, when Ai disappeared into police custody for three months, he quickly became the art world's most famous missing person. Since then, Ai Weiwei's critiques of China's repressive regime have ranged from playful photographs of his raised middle finger in front of Tiananmen Square to searing memorials to the more than 5,000 schoolchildren who died in shoddy government construction in the 2008 Sichuan earthquake. Against a backdrop of strict censorship, Ai has become a hero on social media to millions of Chinese citizens.

This book, prohibited from publication in China, offers an intimate look at Ai Weiwei's world in the years after his return from New York and preceding his imprisonment and global superstardom. The photographs capture Ai's emergence as the uniquely provocative artist that he is today. There is no more revealing portrait of Ai Weiwei's life in China than this.

The book contains more than 600 carefully sequenced images culled from an archive of more than 40,000 photographs taken by Ai: a narrative arc carefully shaped by an artist keenly aware of photography's ability to tell stories. It includes a shattering series of photographs taken between 1993 and 1996 devoted to the final illness and death of Ai's father Ai Qing. The book is a sequel to Ai Weiwei: New York 1983-1993, a privately published book that collected photographs taken by Ai during his years on the New York art scene.

Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real--seen in public for the first time since 1989 at David Zwirner, New York, in 2019, and the subject of this book--is a superb example of this modern master's work.

In 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers's approach to working with textiles as a "many-sided practice," it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper. Together, these works reflect Albers's brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist's pioneering investment in textiles as an art form and her parallel interest in mass-produced designs.

Published on the occasion of the Anni Albers exhibition presented at David Zwirner, New York, in 2019, this catalogue features new scholarship from the show's curator, Brenda Danilowitz, art historian and chief curator of The Josef and Anni Albers Foundation, and T'ai Smith, an expert on Bauhaus craft and weaving.

Interior designer Nina Freudenberger, New Yorker writer Sadie Stein, and Architectural Digest photographer Shade Degges give readers a peek at the private libraries and bookshelves of passionate readers all over the world, including Larry McMurtry, Silvia Whitman of Shakespeare and Co., Gay and Nan Talese, and Emma Straub. Throughout, gorgeous photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books inspire readers to live better with their own collections.

Praise for Bibliostyle

"Featuring enviable private libraries and packed floor-to-ceiling shelves, this beautiful volume makes a compelling case for books as décor."--New York

"Freudenberger spotlights the splendid, enviable personal libraries of literary figures whose owners obviously care about their book collections and have actually read them, too."--The Boston Globe

"This is a coffee table book that makes you think as well as admire and desire."--Sydney Herald

"Offers a look into the fabulous homes of book lovers the world over, showcasing how their interior design is built around the tomes they love most."--CN

John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent.

In a letter to friend John Fisher, written in 1821, Constable commented, "That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids . . . It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment."

Written by Mark Evans, a leading authority on the work of John Constable, and brimming with beautiful images, Constable's Skies captures the artist's fascination with the sky and brings together his depictions of the English weather from throughout his career. The unprecedented fidelity of Constable's painted skies is proven by reference to contemporary weather diaries. The book also includes a guide to where to find Constable's work around the world.

A lovingly curated collection of 365 charming portraits of our favorite four-legged companions, with anecdotes celebrating dogs' endearing and irresistible quirks, based on Sally Muir's popular "Dog a Day" Facebook page.

Sally Muir's debuted her "Dog a Day" project on Facebook in 2013: "My name is Sally Muir and this is a new gallery where I will add a dog drawing/painting every day, adding up to a massive 365-day dogfest." As her Facebook page took off, so did the number of Sally's portraits and her fame.

Drawing on the substantial collection of artwork on her site, A Dog a Day is an irresistible collection of 365 beautiful portraits of dogs of all shapes and sizes, depicted in a range of mediums--from loosely worked sketches, prints, and charcoal drawings to oil paintings and lithographs. The artwork is accompanied by short anecdotes throughout, that reflects on these beloved animals' goofy, loyal, and spunky dispositions.

Charming and whimsical, A Dog a Day is a must for all dog lovers, a loving collection that guarantees a year's worth of tail-wagging sweetness.

In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century.

Funny Weather brings together a career's worth of Laing's writing about art and culture, examining their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O'Keeffe, reads Maggie Nelson and Sally Rooney, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time.

We're often told that art can't change anything. Laing argues that it can. Art changes how we see the world. It makes plain inequalities and it offers fertile new ways of living.

From Kahran and Regis Bethencourt, the dynamite husband and wife duo behind CreativeSoul Photography, comes GLORY, a photography book that shatters the conventional standards of beauty for Black children.

Featuring a foreword by Amanda Seales

With stunning images of natural hair and gorgeous, inventive visual storytelling, GLORY puts Black beauty front and center with more than 100 breathtaking photographs and a collection of powerful essays about the children. At its heart, it is a recognition and celebration of the versatility and innate beauty of black hair, and black beauty. The glorious coffee-table book pays homage to the story of our royal past, celebrates the glory of the here and now, and even dares to forecast the future.

It brings to life past, present, and future visions of black culture and showcases the power and beauty of recognizing and celebrating oneself. Beauty as an expression of who you are is power. When we define our own standards of beauty, we take back that power. GLORY encourages children around the world to feel that power and harness it.