Biography

"Here is that rare thing: an untold chapter in the Kennedy saga. . .Compelling and illuminating."--Jon Meacham

Based on genealogical breakthroughs and previously unreleased records, this is the first book to explore the inspiring story of the poor Irish refugee couple who escaped famine; created a life together in a city hostile to Irish, immigrants, and Catholics; and launched the Kennedy dynasty in America.

Their Irish ancestry was a hallmark of the Kennedys' initial political profile, as JFK leveraged his working-class roots to connect with blue-collar voters. Today, we remember this iconic American family as the vanguard of wealth, power, and style rather than as the descendants of poor immigrants. Here at last, we meet the first American Kennedys, Patrick and Bridget, who arrived as many thousands of others did following the Great Famine--penniless and hungry. Less than a decade after their marriage in Boston, Patrick's sudden death left Bridget to raise their children single-handedly. Her rise from housemaid to shop owner in the face of rampant poverty and discrimination kept her family intact, allowing her only son P.J. to become a successful saloon owner and businessman. P.J. went on to become the first American Kennedy elected to public office--the first of many.

Written by the grandson of an Irish immigrant couple and based on first-ever access to P.J. Kennedy's private papers, The First Kennedys is a story of sacrifice and survival, resistance and reinvention: an American story.

The acclaimed New York Times bestselling author of The Vanishing Velazquez shares a riveting true story "with as many twists and turns as any mystery" (Los Angeles Times) describing her mother's mysterious kidnapping as a toddler in a small English coastal village--"an incredible and incredibly unusual book about family secrets" (Nick Hornby, The Believer).

In the fall of 1929, when Laura Cumming's mother was three years old, she was kidnapped from a beach on the Lincolnshire coast of England. There were no screams when she was taken, suggesting the culprit was someone familiar to her, and when she turned up again in a nearby village several days later, she was happy and in perfect health. No one was ever accused of a crime. The incident quickly faded from her memory, and her parents never discussed it. To the contrary, they deliberately hid it from her, and she did not learn of it for half a century.

This was not the only secret her parents kept from her. For many years, while raising her in draconian isolation and protectiveness, they also hid the fact that she'd been adopted, and that shortly after the kidnapping, her name was changed from Grace to Betty.

"Both page-turning and richly absorbing" (The Providence Journal), On Chapel Sands (originally titled Five Days Gone) unspools the tale of Cumming's mother's life and unravels the multiple mysteries at its core. Using photographs from the time, historical documents, and works of art, Cumming investigates this case of stolen identity w​ith the toolset of a detective and the unique intimacy of a daughter trying to understand her family's past and its legacies. "Brilliant" (The Guardian) and "a story told with such depth of feeling and observation and such lyrical writing I couldn't put it down" (Anna Quindlen), On Chapel Sands is a masterful blend of memoir and history, an extraordinary personal narrative unlike any other.

For precocious 11-year-old Lea Ypi, Albania's Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests.

Communism had failed to deliver the promised utopia. One's "biography"--class status and other associations long in the past--put strict boundaries around one's individual future. When Lea's parents spoke of relatives going to "university" or "graduating," they were speaking of grave secrets Lea struggled to unveil. And when the early '90s saw Albania and other Balkan countries exuberantly begin a transition to the "free market," Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking.

With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort--here recounted with outstanding literary talent. Now one of the world's most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.

A MOST ANTICIPATED BOOK BY TIME, THE ASSOCIATED PRESS, GOODREADS, USA TODAY, AND MORE!

The beloved star of

"Hi, my name is Matthew, although you may know me by another name. My friends call me Matty. And I should be dead."

So begins the riveting story of acclaimed actor Matthew Perry, taking us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who traveled from Montreal to Los Angeles, shuffling between his separated parents; fourteen-year-old Matthew, who was a nationally ranked tennis star in Canada; twenty-four-year-old Matthew, who nabbed a coveted role as a lead cast member on the talked-about pilot then called Friends Like Us. . . and so much more.

In an extraordinary story that only he could tell--and in the heartfelt, hilarious, and warmly familiar way only he could tell it--Matthew Perry lays bare the fractured family that raised him (and also left him to his own devices), the desire for recognition that drove him to fame, and the void inside him that could not be filled even by his greatest dreams coming true. But he also details the peace he's found in sobriety and how he feels about the ubiquity of Friends, sharing stories about his castmates and other stars he met along the way. Frank, self-aware, and with his trademark humor, Perry vividly depicts his lifelong battle with addiction and what fueled it despite seemingly having it all.

Friends, Lovers, and the Big Terrible Thing is an unforgettable memoir that is both intimate and eye-opening--as well as a hand extended to anyone struggling with sobriety. Unflinchingly honest, moving, and uproariously funny, this is the book fans have been waiting for.

"Charles Booker is a rising leader in our nation, and an inspiration to me and all those who get to know his story and vision."--Senator Cory Booker

Charles Booker grew up in one of the poorest neighborhoods in Kentucky, living in the largely segregated West End of Louisville. Faith and love were everything in his family, but material comforts were scarce. The electricity was sometimes shut off. His mother often went hungry so her son could eat. Even after he graduated from law school, Booker rationed the insulin he took for diabetes. Determined to build a world in which poverty and racism would not plague future generations, he charted his own course into Kentucky politics, a world dominated by the myth of an urban-rural divide, and controlled by the formidable Republican establishment.

In this stirring account, Booker unfolds his journey from the heart of Louisville to the deepest reaches of Kentucky's rural landscapes, reflecting the journey America itself must make on the way to a progressive future. Robbed of multiple family members by gun violence, Booker found the roots of a system built to fail him and his neighbors in everything from the hypocrisy of elected officials to the structural racism embedded in the state's budget.

Yet it wasn't until his unlikely appointment to the Department of Fish and Wildlife Resources that he understood the transformative power of the issues that bound his family with those in rural Appalachia. In coal country, he met citizens who, like those in the West End, suffered from extreme isolation, for whom fresh food and economic stability were scarce, who lacked the resources to overcome their cynicism about change. Through his work as the youngest Black state legislator in Kentucky, Booker built an unprecedented alliance between the hood and the holler. This coalition was the basis for a thrilling grassroots Senate campaign that nearly stunned the nation, putting Senators Mitch McConnell and Rand Paul on notice that the days of business as usual were over.

From the Hood to the Holler is both a moving coming-of-age story and an urgent political intervention--a much-needed blueprint for how equity and racial justice might transcend partisan divisions in Kentucky, throughout the South, and across America.

An arresting and one-of-a-kind memoir about the alternately exultant and harrowing trip growing up as a Black child desperate to create a clear reality for herself in this country

Written in a distinctive voice and filled with personality, humor, and pathos, Fruit Punch is a memoir unlike any other, from a one-of-a-kind millennial talent. Growing up in Dallas, Texas, in the nineties and early 2000s, Kendra Allen had a complicated, loving, and intense family life filled with desire and community but also undercurrents of violence and turmoil. "We equate suffering to perseverance and misinterpret the weight of shame," she writes. As she makes her way through a world of obscureness, Kendra finds herself slowly discovering outlets to help navigate growing up and against the expected performance of being a young Black woman in the South--a complex interplay of race, class, and gender that proves to be ever-shifting ground.

Fruit Punch touches on everything from questions of beauty and how we form concepts of ourselves--as a small rebellion, young Kendra scratched a hole into every pair of stockings she was forced to wear--to what it means to grow up in her great uncle's Southern Baptist church--with rules including "No uncrossed ankles" and "No questions." Inflected by a powerful sense of place and touched by poetry, Fruit Punch is a stunning achievement--a memoir born of love and endurance, fight or flight, and what it means to be a witness, from a blisteringly honest and observant voice.

In the fall of 1866, a twenty-year-old stenographer named Anna Snitkina applied for a position with a writer she idolized: Fyodor Dostoyevsky. A self-described "girl of the sixties," Snitkina had come of age during Russia's first feminist movement, and Dostoyevsky--a notorious radical turned acclaimed novelist--had impressed the young woman with his enlightened and visionary fiction. Yet in person she found the writer "terribly unhappy, broken, tormented," weakened by epilepsy, and yoked to a ruinous gambling addiction. Alarmed by his condition, Anna became his trusted first reader and confidante, then his wife, and finally his business manager--launching one of literature's most turbulent and fascinating marriages.

The Gambler Wife offers a fresh and captivating portrait of Anna Dostoyevskaya, who reversed the novelist's freefall and cleared the way for two of the most notable careers in Russian letters--her husband's and her own. Drawing on diaries, letters, and other little-known archival sources, Andrew Kaufman reveals how Anna protected her family from creditors, demanding in-laws, and her greatest romantic rival, through years of penury and exile. We watch as she navigates the writer's self-destructive binges in the casinos of Europe--even hazarding an audacious turn at roulette herself--until his addiction is conquered. And, finally, we watch as Anna frees her husband from predatory contracts by founding her own publishing house, making Anna the first solo female publisher in Russian history.

The result is a story that challenges ideas of empowerment, sacrifice, and female agency in nineteenth-century Russia--and a welcome new appraisal of an indomitable woman whose legacy has been nearly lost to literary history.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: The New York Times * NPR * Vogue * Gay Times * Artforum *

"Gay Bar is an absolute tour de force." -Maggie Nelson

"Atherton Lin has a five-octave, Mariah Carey-esque range for discussing gay sex." -New York Times Book Review

As gay bars continue to close at an alarming rate, a writer looks back to find out what's being lost in this indispensable, intimate, and stylish celebration of queer history.

Strobing lights and dark rooms; throbbing house and drag queens on counters; first kisses, last call: the gay bar has long been a place of solidarity and sexual expression--whatever your scene, whoever you're seeking. But in urban centers around the world, they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: What was the gay bar? How have they shaped him? And could this spell the end of gay identity as we know it?

In Gay Bar, the author embarks upon a transatlantic tour of the hangouts that marked his life, with each club, pub, and dive revealing itself to be a palimpsest of queer history. In prose as exuberant as a hit of poppers and dazzling as a disco ball, he time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the aftermath of AIDS to today's fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. He charts police raids and riots, posing and passing out--and a chance encounter one restless night that would change his life forever.

The journey that emerges is a stylish and nuanced inquiry into the connection between place and identity--a tale of liberation, but one that invites us to go beyond the simplified Stonewall mythology and enter lesser-known battlefields in the struggle to carve out a territory. Elegiac, randy, and sparkling with wry wit, Gay Bar is at once a serious critical inquiry, a love story and an epic night out to remember.

An "elegant and inspiring memoir" by the human rights activist who changed the minds of her elders, reformed traditions from the inside, and is creating a better future for girls and women throughout Africa (Sonia Faleiro, New York Times).

Nice Leng`ete was raised in a Maasai village in Kenya. In 1998, when Nice was six, her parents fell sick and died, and Nice and her sister Soila were taken in by their father's brother, who had little interest in the girls beyond what their dowries might fetch. Fearing "the cut" (female genital mutilation, a painful and sometimes deadly ritualistic surgery), which was the fate of all Maasai women, Nice and Soila climbed a tree to hide.

Nice hoped to find a way to avoid the cut forever, but Soila understood it would be impossible. But maybe if one of the sisters submitted, the other would be spared. After Soila chose to undergo the surgery, sacrificing herself to save Nice, their lives diverged. Soila married, dropped out of school, and had children-all in her teenage years-while Nice postponed receiving the cut, continued her education, and became the first in her family to attend college.

Supported by Amref, Nice used visits home to set an example for what an uncut Maasai woman can achieve. Other women listened, and the elders finally saw the value of intact, educated girls as the way of the future. The village has since ended FGM entirely, and Nice continues the fight to end FGM throughout Africa, and the world.

Nice's journey from "heartbroken child and community outcast, to leader of the Maasai" is an inspiration and a reminder that one person can change the world-and every girl is worth saving.

A coming-of-age story set in Birmingham in the 1980s and 1990s, The Go-Between opens a window into a closed migrant community living in a red-light district on the wrong side of the tracks.

The adult world is seen through Osman's eyes as a child: his own devout Pashtun patriarchal community, with its divide between the world of men and women, living cheek-by-jowl with parallel migrant communities. The orthodox attend a mosque down the road from the prostitutes and pimps. Children balance Western school teachings with cultural traditions.

Alternative masculinities compete with strict gender roles, and female erasure and honour-based violence are committed, even as empowering female friendships prevail. The stories Osman tells, some fantastical and humorous, others melancholy and even harrowing, take us from the Birmingham of Osman's childhood to the banks of the river Kabul and the river Indus, and, eventually, to the London of his teenage years.

Osman weaves in and out of these worlds, struggling with the dual burdens of racism and community expectations, as he is forced to realise it is no longer possible to exist in the spaces in between.

"For anyone who has stopped believing that one person can make a difference, or that government service is still a noble calling, or that facts still matter, or that the American brand can still hold fast to practical idealism, this book is the antidote to those fears."--Jim Mattis, general, U.S. Marines (ret.), and former secretary of defense, author of Call Sign Chaos

In his long career as an acclaimed journalist covering the "hot" moments of the Cold War and its aftermath, bestselling author Robert D. Kaplan often found himself crossing paths with Bob Gersony, a consultant for the U.S. State Department whose quiet dedication and consequential work made a deep impression on Kaplan.

Gersony, a high school dropout later awarded a Bronze Star for his service in Vietnam, conducted on-the-ground research for the U.S. government in virtually every war and natural-disaster zone in the world. In Thailand, Central and South America, Sudan, Chad, Mozambique, Rwanda, Gaza, Bosnia, North Korea, Iraq, and beyond, Gersony never flinched from entering dangerous areas that diplomats could not reach, sometimes risking his own life. Gersony's behind-the scenes fact-finding, which included interviews with hundreds of refugees and displaced persons from each war zone and natural-disaster area, often challenged the assumptions and received wisdom of the powers that be, on both the left and the right. In nearly every case, his advice and recommendations made American policy at once smarter and more humane--often dramatically so.

In Gersony, Kaplan saw a powerful example of how American diplomacy should be conducted. In a work that exhibits Kaplan's signature talent for combining travel and geography with sharp political analysis, The Good American tells Gersony's powerful life story. Set during the State Department's golden age, this is a story about the loneliness, sweat, and tears and the genuine courage that characterized Gersony's work in far-flung places. It is also a celebration of ground-level reporting: a page-turning demonstration, by one of our finest geopolitical thinkers, of how getting an up-close, worm's-eye view of crises and applying sound reason can elicit world-changing results.

Show girls that they can be anything they want to be with this postcard set of 50 women that have changed history, from First Lady Michelle Obama to the Syrian refugee and Olympic swimmer Yusra Mardini. Here are 50 postcards--50 pieces of art to send or save--that celebrate your favorite heroes. The cards are organized with 5 tabbed dividers--organized by the pioneers, leaders, creators, champions, and warriors who have broken down barriers--and everything is packaged in a unique keepsake box. With a short bio of the woman on each card and powerful quotes to pepper the package, this is a perfect stocking stuffer or gift for your favorite feminist.

The rebels include:

Creators: Frida Kahlo, The Bronte Sisters, Julia Child, Nina Simone, Zaha Hadid, Xian Zhang, Ada Lovelace, Maud Stevens Wagner, Maria Callas, and Millo Castro Zaldarriaga

Leaders: Queen Elizabeth I, Fadumo Dayib, Yaa Asantewaa, Jingu, Hatshepsut, Nanny of the Maroons, Lakshmi Bai, Hillary Rodham Clinton, Michelle Obama, and Eufrosina Cruz

Pioneers: Sylvia Earle, Ann Makosinski, Jane Goodall, Alek Wek, Maria Sibylla Merian, Balkissa Chaibou, Wang Zhenyi, Mae C. Jemison, Cholita Climbers, and Maria Reiche

Champions: Yursa Mardini, Maya Gabeira, Wilma Rudolph, Serena and Venus Williams, Mary Kom, Alfonsina Strada, Amna Al Haddad, Misty Copeland, Simone Biles, and Ashley Fiolek

Warriors: Sonita Alizadeh, Claudia Ruggerini, Malala Yousafzai, Manal Al-Sharif, Maya Angelou, Rosa Parks, Anna Politkovskaya, Harriet Tubman, Miriam Makeba, and Irena Sendlerowa

The final resting place of Ulysses S. Grant, the victorious general in the Civil War and the eighteenth president of the United States, is a colossal neoclassical tomb located in the most dynamic city in the country. It is larger than the final resting place of any other president or any other person in America. Since its creation, the popularity and condition of this monument, built to honor the man and what he represented to a grateful nation at the time of his death, a mere twenty years after the end of the Civil War, have reflected not only Grant's legacy in the public mind but also the state of New York City and of the Union.

In this fascinating, deeply researched book, presidential historian Louis L. Picone recounts the full story. He begins with Grant's heroic final battle during the last year of his life, to complete his memoirs in order to secure his family's financial future while contending with painful, incurable cancer. Grant accomplished this just days before his death, and his memoirs, published by Mark Twain, became a bestseller. Accompanying his account with numerous period photographs, Picone narrates the national response to Grant's passing and how his tomb came to be: the intense competition to be the resting place for Grant's remains, the origins of the memorial and its design, the struggle to finance and build it over the course of twelve years, and the vicissitudes of its afterlife in the history of the nation up to recent times.