Literature

A "captivating and bittersweet" novel by the #1 New York Times bestselling author of Summer of '69: Their secret love affair has lasted for decades--but this could be the summer that changes everything (People).

When Mallory Blessing's son, Link, receives deathbed instructions from his mother to call a number on a slip of paper in her desk drawer, he's not sure what to expect. But he certainly does not expect Jake McCloud to answer. It's the late spring of 2020 and Jake's wife, Ursula DeGournsey, is the frontrunner in the upcoming Presidential election.

There must be a mistake, Link thinks. How do Mallory and Jake know each other?

Flash back to the sweet summer of 1993: Mallory has just inherited a beachfront cottage on Nantucket from her aunt, and she agrees to host her brother's bachelor party. Cooper's friend from college, Jake McCloud, attends, and Jake and Mallory form a bond that will persevere--through marriage, children, and Ursula's stratospheric political rise--until Mallory learns she's dying.

Based on the classic film Same Time Next Year (which Mallory and Jake watch every summer), 28 Summers explores the agony and romance of a one-weekend-per-year affair and the dramatic ways this relationship complicates and enriches their lives, and the lives of the people they love.

A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World.

Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces "under-expressed, unpopular or downright dangerous" points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.

Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper's Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver's piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes.

In her characteristically frank manner, Shriver shrewdly skewers the concept of language "crimes," while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Each essay in Abominations reflects sentiments that have "brought hell and damnation down on my head," as she cheerfully explains, and have threatened her with "cancellation" more than once.

Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. "Enlightened" progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree.

A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.

From the bestselling author of Fatherland, The Ghostwriter, Munich, and Conclave comes this spellbinding historical novel that brilliantly imagines one of the greatest manhunts in history: the search for two Englishmen involved in the killing of King Charles I and the implacable foe on their trail--an epic journey into the wilds of seventeeth-century New England, and a chase like no other.

'From what is it they flee?'

He took a while to reply. By the time he spoke the men had gone inside. He said quietly, "They killed the King."

1660 England. General Edward Whalley and his son-in law Colonel William Goffe board a ship bound for the New World. They are on the run, wanted for the murder of King Charles I--a brazen execution that marked the culmination of the English Civil War, in which parliamentarians successfully battled royalists for control.

But now, ten years after Charles' beheading, the royalists have returned to power. Under the provisions of the Act of Oblivion, the fifty-nine men who signed the king's death warrant and participated in his execution have been found guilty in absentia of high treason. Some of the Roundheads, including Oliver Cromwell, are already dead. Others have been captured, hung, drawn, and quartered. A few are imprisoned for life. But two have escaped to America by boat.

In London, Richard Nayler, secretary of the regicide committee of the Privy Council, is charged with bringing the traitors to justice and he will stop at nothing to find them. A substantial bounty hangs over their heads for their capture--dead or alive. . . .

Robert Harris's first historical novel set predominantly in America, Act of Oblivion is a novel with an urgent narrative, remarkable characters, and an epic true story to tell of religion, vengeance, and power--and the costs to those who wield it.

An epic story of a Bedouin family's survival and legacy amid their changing world in the unforgiving Sahara Desert.

Ahmed is a camel herder, as his father was before him and as his young son Abdullahi will be after him. The days of Ahmed and the other families in their nomadic freeg are ruled by the rhythms of changing seasons, the needs of his beloved camel herd, and the rich legends and stories that link his life to centuries of tradition.

But Ahmed's world is threatened--by the French colonizers just beyond the horizon, the urbanization of the modern world, and a drought more deadly than any his people have known. At first, Ahmed attempts to ignore these forces by concentrating on the ancient routines of herding life. But these routines are broken when a precious camel named Zarga goes missing. Saddling his trusted Laamesh, praying at the appointed hours, and singing the songs of his fathers for strength, Ahmed sets off to recover Zarga on a perilous journey that will bring him face to face with the best and the worst of humanity and test every facet of his Bedouin desert survival skills.

Joan Orpí (Piera, 1593 - New Barcelona, 1645) is one of the most unknown characters in Spanish history. In this torrential book we are told the odyssey that brought him first to Barcelona, later to Sevilla and finally to America, where he would experience all kinds of outlandish situations.

Using historical facts as raw material, and with stellar appearances of characters such as Miguel de Cervantes or the brigand Serrallonga among others, Besora converses with the satirical tradition of works such as Gargantua and Pantagruel, Gulliver's Travels or Don Quixote, to paint a fresco of Catalonia in the seventeenth century and the Golden Age of the Spanish empire, creating a novel, fresh, sharp and bursting with exuberant adventures.

A triumphant, playful masterpiece brought into a unique style of English thanks to the triumphant creativity of translator Mara Faye Lethem.

"Relentlessly thrilling . . . an orgy of the unpredictable." --New York Times Book Review

"Like Thomas Pynchon taking on late capitalism. . . . surrealistic, granular in its details, and concerned with social entropy and desperate attempts at communion." --Wall Street Journal

From a major new international voice, mesmerizing, inventive fiction that probes the tender places where human longings push through the cracks of a breaking world.

Under Cancún's hard blue sky, a beach boy provides a canvas for tourists' desires, seeing deep into the world's underbelly. An enigmatic encounter in Copenhagen takes an IT consultant down a rabbit hole of speculation that proves more seductive than sex. The collapse of a love triangle in London leads to a dangerous, hypnotic addiction. In the Nevada desert, a grieving man tries to merge with an unearthly machine.

After the Sun opens portals to our newest realities, haunting the margins of a globalized world that's both saturated with yearning and brutally transactional. Infused with an irrepressible urgency, Eika's fiction seems to have conjured these far-flung characters and their encounters in a single breath. Juxtaposing startling beauty with grotesquery, balancing the hyperrealistic with the fantastical--"as though the worlds he describes are being viewed through an ultraviolet filter," in one Danish reviewer's words--he has invented new modes of storytelling for an era when the old ones no longer suffice.

INSTANT NEW YORK TIMES BESTSELLER

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE'S JOHN LEONARD PRIZE FOR BEST FIRST BOOK

WINNER OF THE FERRO-GRUMLEY AWARD FOR LGBTQ FICTION

Named a Best Book of the Year by: New York Times * NPR * Washington Post * LA Times * Kirkus Reviews * New York Public Library * Chicago Public Library * Harper's Bazaar * TIME * Maureen Corrigan, Fresh Air * Boston Globe* The Atlantic

A vibrant story collection about Cambodian-American life--immersive and comic, yet unsparing--that offers profound insight into the intimacy of queer and immigrant communities

Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.

A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle's snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a "safe space" app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.

The stories in Afterparties, "powered by So's skill with the telling detail, are like beams of wry, affectionate light, falling from different directions on a complicated, struggling, beloved American community" (George Saunders).

2020 Palestine Book Awards Winner 2021 Aspen Words Literary Prize Finalist "Susan Abulhawa possesses the heart of a warrior; she looks into the darkest crevices of lives, conflicts, horrendous injustices, and dares to shine light that can illuminate hidden worlds for us." --Alice Walker, Pulitzer Prize-winning author In this "beautiful...urgent" novel (The New York Times), Nahr, a young Palestinian woman, fights for a better life for her family as she travels as a refugee throughout the Middle East.As Nahr sits, locked away in solitary confinement, she spends her days reflecting on the dramatic events that landed her in prison in a country she barely knows. Born in Kuwait in the 70s to Palestinian refugees, she dreamed of falling in love with the perfect man, raising children, and possibly opening her own beauty salon. Instead, the man she thinks she loves jilts her after a brief marriage, her family teeters on the brink of poverty, she's forced to prostitute herself, and the US invasion of Iraq makes her a refugee, as her parents had been. After trekking through another temporary home in Jordan, she lands in Palestine, where she finally makes a home, falls in love, and her destiny unfolds under Israeli occupation. Nahr's subversive humor and moral ambiguity will resonate with fans of My Sister, The Serial Killer, and her dark, contemporary struggle places her as the perfect sister to Carmen Maria Machado's Her Body and Other Parties. Written with Susan Abulhawa's distinctive "richly detailed, beautiful, and resonant" (Publishers Weekly) prose, this powerful novel presents a searing, darkly funny, and wholly unique portrait of a Palestinian woman who refuses to be a victim.

A New York Times Editors' Choice

These essays are written on the skin of the times. Dubravka Ugresic, winner of the Neustadt International Prize and one of Europe's most influential writers, with biting humor and a multitude of cultural references--from La La Land and Dawn of the Planet of the Apes, to tattoos and body modification, World Cup chants, and the preservation of Lenin's corpse--takes on the dreams, hopes, and fears of modern life. The collapse of Yugoslavia, and the author's subsequent exile from Croatia, leads to reflections on nationalism and the intertwining of crime and politics. Ugresic writes at eye level, from a human perspective, in portraits of people from the former Eastern Bloc, who work as cleaners in the Netherlands or start underground shops with products from their country of origin.

A rare and welcome combination of irony, compassion, and a sharp polemic gaze characterizes these beautiful and highly relevant essays.

William di Canzio's Alec, inspired by Maurice, E. M. Forster's secret novel of a happy same-sex love affair, tells the story of Alec Scudder, the gamekeeper Maurice Hall falls in love with in Forster's classic, published only after the author's death.

Di Canzio follows their story past the end of Maurice to the front lines of battle in World War I and beyond. Forster, who tried to write an epilogue about the future of his characters, was stymied by the radical change that the Great War brought to their world. With the hindsight of a century, di Canzio imagines a future for them and a past for Alec--a young villager possessed of remarkable passion and self-knowledge.

Alec continues Forster's project of telling stories that are part of "a great unrecorded history." Di Canzio's debut novel is a love story of epic proportions, at once classic and boldly new.

"Urgent, sharp and expansive...this exceptional debut is not a cautionary tale about the perils of drugs, but it certainly is the story of so many people right now, and it somehow leaves us with hope. What's more, the rare if dark gems found along its ocean floors, all sharp and brittle and made of base desire, let us glean a part of what's at the heart of addiction itself." --Tommy Orange, The New York Times

For fans of Denis Johnson and Ocean Vuong: A captivating, searing, and ultimately redemptive debut novel about coming of age on Florida's drug-riddled Gulf Coast and the enigmatic connection between memory and self

David has a mind that never stops running. He reads Dante and Moby Dick, he sinks into Hemingway and battles with Milton. But on Florida's Gulf Coast, one can slip into deep water unconsciously; at the age of fourteen, David runs away from home to pursue a girl and, on his journey, tries crack cocaine for the first time. He's hooked instantly. Over the course of the next decade, he fights his way out of jail and rehab, trying to make sense of the world around him--a sunken world where faith in anything is a privilege. He makes his way to a tenuous sobriety, but it isn't until he takes a literature class at a community college that something within him ignites.

All Day is a Long Time is a spectacular, raw account of growing up and managing, against every expectation, to carve out a place for hope. We see what it means, and what it takes, to come back from a place of little control--to map ourselves on the world around, and beyond, us. David Sanchez's debut resounds with real force and demonstrates the redemptive power of the written word.

#1 NEW YORK TIMES BESTSELLER - In the propulsive debut novel from the host of the #1 true crime podcast Crime Junkie, a journalist uncovers her hometown's dark secrets when she becomes obsessed with the unsolved murder of her childhood neighbor--and the disappearance of another girl twenty years later.

You can't ever know for sure what happens behind closed doors.

Everyone from Wakarusa, Indiana, remembers the infamous case of January Jacobs, who was discovered in a ditch hours after her family awoke to find her gone. Margot Davies was six at the time, the same age as January--and they were next-door neighbors. In the twenty years since, Margot has grown up, moved away, and become a big-city journalist. But she's always been haunted by the feeling that it could've been her. And the worst part is, January's killer has never been brought to justice.

When Margot returns home to help care for her uncle after he is diagnosed with early-onset dementia, she feels like she's walked into a time capsule. Wakarusa is exactly how she remembers--genial, stifled, secretive. Then news breaks about five-year-old Natalie Clark from the next town over, who's gone missing under circumstances eerily similar to January's. With all the old feelings rushing back, Margot vows to find Natalie and to solve January's murder once and for all.

But the police, Natalie's family, the townspeople--they all seem to be hiding something. And the deeper Margot digs into Natalie's disappearance, the more resistance she encounters, and the colder January's case feels. Could January's killer still be out there? Is it the same person who took Natalie? And what will it cost to finally discover what truly happened that night twenty years ago?

Twisty, chilling, and intense, All Good People Here is a searing tale that asks: What are your neighbors capable of when they think no one is watching?