Religion

In this thoughtful follow-up to Simply Christian, today's leading Bible scholar, Anglican bishop, and acclaimed author uses the Gospel of John to reveal how Christianity presents a compelling and relevant explanation for our world.

N. T. Wright argues that every world view must explain seven "signposts," indicators inherent to humanity: Justice, Spirituality, Relationships, Beauty, Freedom, Truth, and Power.

If we do not live up to these ideals, our societies and individual lives become unbalanced, creating anger and frustration--negative emotions that divide us from ourselves and from God, he contends. Using the Gospel of John as his source, Wright shows how Christianity defines each signpost and illuminates why we so often see them as being "broken" and unattainable.

Drawing on the wisdom of the Gospels, Wright explains why these signposts are fractured and damaged and how Christianity provides the vision, guidance, and hope for making them whole once again, ultimately healing ourselves and our world.

The story of Roman Catholicism has never followed a singular path. In no time period has this been more true than over the last two centuries. Beginning with the French Revolution, extending to the Second Vatican Council in the 1960s, and concluding with present-day crises, John T. McGreevy chronicles the dramatic upheavals and internal divisions shaping the most multicultural, multilingual, and global institution in the world.

Through powerful individual stories and sweeping birds-eye views, Catholicism provides a mesmerizing assessment of the Church's complex role in modern history: both shaper and follower of the politics of nation states, both conservator of hierarchies and evangelizer of egalitarianism. McGreevy documents the hopes and ambitions of European missionaries building churches and schools in all corners of the world, African Catholics fighting for political (and religious) independence, Latin American Catholics attracted to a theology of liberation, and Polish and South Korean Catholics demanding democratic governments. He includes a vast cast of riveting characters, known and unknown, including the Mexican revolutionary Fr. Servando Teresa de Mier; Daniel O'Connell, hero of Irish emancipation; Sr. Josephine Bakhita, a formerly enslaved Sudanese nun; Chinese statesman Ma Xiaobang; French philosopher and reformer Jacques Maritain; German Jewish philosopher and convert, Edith Stein; John Paul II, Polish pope and opponent of communism; Gustavo Gutiérrez, Peruvian founder of liberation theology; and French American patron of modern art, Dominique de Menil.

Throughout this essential volume, McGreevy details currents of reform within the Church as well as movements protective of traditional customs and beliefs. Conflicts with political leaders and a devotional revival in the nineteenth century, the experiences of decolonization after World War II and the Second Vatican Council in the twentieth century, and the trauma of clerical sexual abuse in the twenty-first all demonstrate how religion shapes our modern world. Finally, McGreevy addresses the challenges faced by Pope Francis as he struggles to unite the over one billion members of the world's largest religious community.

'A masterpiece' - Vanity Fair (Italy)

After the best-seller The End is My Beginning, co-authored with his father Tixiano Terzani, the long-awaited Folco Terzani's comeback with an extraordinary harmony of words and images, a simple and profound story about nature, friendship and the sense of the divine.

The Dog, was always used to the comforts and safety of domestic life, suddenly finds himself abandoned on the street, convinced that without his beloved master he will not be able to survive. Then a mysterious Wolf appears that will lead him to the discovery of the wild nature that the city hides and forbids. Thus, begins a long pilgrimage, a journey of initiation to the north, in the company of a pack of wolves, through caves, waterfalls, forests, mountains and lightning storms. In order to survive, the Dog will learn to hunt and will be forced to face many dangers, until he arrives at Moon Mountain where, immersed in the blinding glacier light, he will finally have to face the biggest question of all.

"Listen and attend with the ear of your heart." - Saint Benedict.

Dolores Hart stunned Hollywood in 1963, when after ten highly successful feature films, she chose to enter a contemplative monastery. Now, fifty years later, Mother Dolores gives this fascinating account of her life, with co-author and life-long friend, Richard DeNeut.

Dolores was a bright and beautiful college student when she made her film debut with Elvis Presley in Paramount's 1957 Loving You. She acted in nine more movies with other big stars such as Montgomery Clift, Anthony Quinn and Myrna Loy. She also gave a Tony-nominated performance in the Broadway play The Pleasure of His Company and appeared in television shows, including The Virginian and Playhouse 90. An important chapter in her life occurred while playing Saint Clare in the movie Francis of Assisi, which was filmed on location in Italy.

Born Dolores Hicks to a complicated and colorful Chicago family, Mother Dolores has travelled a charmed yet challenging road in her journey toward God, serenity and, yes, love. She entered the Abbey of Regina Laudis in Bethlehem, Connecticut, at the peak of her career, not in order to leave the glamorous world of acting she had dreamed of since childhood, but in order to answer a mysterious call she heard with the "ear of the heart." While contracted for another film and engaged to be married, she abandoned everything to become a bride of Christ.

A New York Times Notable Book

A deeply textured dual biography and fascinating intellectual history that examines two of the greatest minds of European history--Desiderius Erasmus and Martin Luther--whose heated rivalry gave rise to two enduring, fundamental, and often colliding traditions of philosophical and religious thought.

"A masterly work. Massing manages to juggle the complicated biographies and life work of both Erasmus and Luther while giving the reader a well-written, comprehensive background of pre-Reformation theology."-- Publishers Weekly (starred review)

Erasmus of Rotterdam was the leading figure of the Northern Renaissance. At a time when Leonardo, Michelangelo, and Raphael were revolutionizing Western art and culture, Erasmus was helping to transform Europe's intellectual and religious life, developing a new design for living for a continent rebelling against the hierarchical constraints of the Roman Church. When in 1516 he came out with a revised edition of the New Testament based on the original Greek, he was hailed as the prophet of a new enlightened age. Today, however, Erasmus is largely forgotten, and the reason can be summed up in two words: Martin Luther. As a young friar in remote Wittenberg, Luther was initially a great admirer of Erasmus and his critique of the Catholic Church, but while Erasmus sought to reform that institution from within, Luther wanted a more radical transformation. Eventually, the differences between them flared into a bitter rivalry, with each trying to win over Europe to his vision.

In Fatal Discord, Michael Massing seeks to restore Erasmus to his proper place in the Western tradition. The conflict between him and Luther, he argues, forms a fault line in Western thinking--the moment when two enduring schools of thought, Christian humanism and evangelical Christianity, took shape. A seasoned journalist who has reported from many countries, Massing here travels back to the early sixteenth century to recover a long-neglected chapter of Western intellectual life, in which the introduction of new ways of reading the Bible set loose social and cultural forces that helped shatter the millennial unity of Christendom and whose echoes can still be heard today. Massing concludes that Europe has adopted a form of Erasmian humanism while America has been shaped by Luther-inspired individualism.

Matthew Ichihashi Potts explores the complex moral terrain of forgiveness, which he claims has too often served as a salve to the conscience of power rather than as an instrument of healing or justice. Though forgiveness is often linked with reconciliation or the abatement of anger, Potts resists these associations, asserting instead that forgiveness is simply the refusal of retaliatory violence through practices of penitence and grief. It is an act of mourning irrevocable wrong, of refusing the false promises of violent redemption, and of living in and with the losses we cannot recover.

Drawing on novels by Kazuo Ishiguro, Marilynne Robinson, Louise Erdrich, and Toni Morrison, and on texts from the early Christian to the postmodern, Potts diagnoses the real dangers of forgiveness yet insists upon its enduring promise. Sensitive to the twenty-first-century realities of economic inequality, colonial devastation, and racial strife, and considering the role of forgiveness in the New Testament, the Christian tradition, philosophy, and contemporary literature, this book heralds the arrival of a new and creative theological voice.

"Thomas Storck has quite possibly contributed more than any other living writer to the articulation, defense, and contemporary application of Catholic Social Teaching. But his incisive work on broader philosophical, cultural, and historical subjects is not known nearly as well as it should be, a misfortune this book will help remedy. Christendom, Modernity, and Americanism--among the most elusive quarry in the world of ideas--are fatally attractive, yet rarely captured in a convincing analysis. In these essays Storck shows that he has the wide-ranging thoughtfulness, command of detail, and synthetic vision to pull this off. Storck's cultural and philosophical examination of the trajectory of recent centuries is invaluable for all who would understand more deeply the complicated and contradictory Western world we live in."--PETER KWASNIEWSKI, Wyoming Catholic College, author of Resurgent in the Midst of Crisis

"I am stretched and challenged whenever I read anything by Thomas Storck. In this fine collection of essays, he examines the many streams of thought and convictions that have led our contemporary world away from its philosophical and religious roots into post-modernity. Particularly in the final chapter he brings this all together to describe the plight we, our children, and our grand-children now face. As Joseph Pearce states in his excellent foreword, 'He must be heard and heeded.'"--MARCUS GRODI, founder and president of the Coming Home Network International, author of What Must I do to be Saved?

"Drawing upon the tradition of Belloc, Chesterton, and Dawson, Thomas Storck offers a compelling re-interpretation of developments within the Catholic Church since the Second Vatican Council. Moving beyond the stale, false alternatives of liberal and conservative, Democrat and Republican, Storck argues for the necessity of a distinctly Catholic social vision predicated upon the organic unity of family, faith, economy, and culture. These essays are a true breath of fresh air offering new possibilities for an authentic public Catholicism open to the world yet committed to the first principles of the faith."--CHRISTOPHER SHANNON, Christendom College, co-author of The Past as Pilgrimage

THOMAS STORCK, a convert to the Catholic faith, is a social and cultural philosopher and historian who has written widely concerning the intersection of Catholic faith and culture. He is the author of three previous books, The Catholic Milieu, Foundations of a Catholic Political Order, and Christendom and the West, as well as numerous essays and articles; and is a member of the editorial boards of The Chesterton Review and Ethika Politika.

In this encouraging book, Pope Francis explores the meaning of true joy and offers an inspiring message: even in dark times, the light of hope can shine bright.

True joy, says Pope Francis, is not a fleeting sentiment or a short-term solution to suffering; it springs from a solid hope that nothing and no one can take away.

A Gift of Joy and Hope is an invitation to embrace authentic beauty and a reminder to be open to encountering God, even in the midst of challenges. In this inspiring collection, Pope Francis encourages readers to change attitudes that exclude others; to reveal the deep dissatisfaction we all hide; and to overcome life's challenges with courage and faith. He also challenges readers to hope without pessimism or doubt, to hope even in the midst of anxiety, to recognize the beauty all around us, and to let God show us how to deal with your doubts and fears.

This book aims to encourage readers to look outside themselves and believe that hope is still possible and that joy always has the last word.

[A] rollicking journey through every aspect of Yahweh's body, from top to bottom (yes, that too) and from inside out ... Ms. Stavrakopoulou has almost too much fun."--The Economist

The scholarship of theology and religion teaches us that the God of the Bible was without a body, only revealing himself in the Old Testament in words mysteriously uttered through his prophets, and in the New Testament in the body of Christ. The portrayal of God as corporeal and masculine is seen as merely metaphorical, figurative, or poetic. But, in this revelatory study, Francesca Stavrakopoulou presents a vividly corporeal image of God: a human-shaped deity who walks and talks and weeps and laughs, who eats, sleeps, feels, and breathes, and who is undeniably male.

Here is a portrait--arrived at through the author's close examination of and research into the Bible--of a god in ancient myths and rituals who was a product of a particular society, at a particular time, made in the image of the people who lived then, shaped by their own circumstances and experience of the world. From head to toe--and every part of the body in between--this is a god of stunning surprise and complexity, one we have never encountered before.

What happens when we die? A recent Pew Research poll showed that 72% of Americans believe in a literal heaven and 58% believe in a literal hell. Most people who hold these beliefs are Christian and assume they are the age-old teachings of the Bible. But eternal rewards and punishments are found nowhere in the Old Testament and are not what Jesus or his disciples taught.

So where did these ideas come from?

In this "eloquent understanding of how death is viewed through many spiritual traditions" (Publishers Weekly, starred review), Bart Ehrman recounts the long history of the afterlife, ranging from The Epic of Gilgamesh up to the writings of Augustine, focusing especially on the teachings of Jesus and his early followers. He discusses ancient guided tours of heaven and hell, in which a living person observes the sublime blessings of heaven for those who are saved and the horrifying torments of hell for those who are damned. Some of these accounts take the form of near death experiences, the oldest on record, with intriguing similarities to those reported today.

One of Ehrman's startling conclusions is that there never was a single Greek, Jewish, or Christian understanding of the afterlife, but numerous competing views. Moreover, these views did not come from nowhere; they were intimately connected with the social, cultural, and historical worlds out of which they emerged. Only later, in the early Christian centuries, did they develop into notions of eternal bliss or damnation widely accepted today.

In this "elegant history" (The New Yorker), Ehrman helps us reflect on where our ideas of the afterlife come from. With his "richly layered-narrative" (The Boston Globe) he assures us that even if there may be something to hope for when we die, there certainly is nothing to fear.

PULITZER PRIZE FINALIST - NATIONAL BOOK AWARD FINALIST - Named A Best Book of the Year by The Washington Post and The Denver Post - Praised by Fareed Zakaria as "intelligent, compassionate, and revealing," a powerful journey to help bridge one of the greatest divides shaping our world today.

If the Oceans Were Ink is Carla Power's eye-opening story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship-between a secular American and a madrasa-trained sheikh-had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text.

A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars. Armed with a new understanding of each other's worldviews, Power and Akram offer eye-opening perspectives, destroy long-held myths, and reveal startling connections between worlds that have seemed hopelessly divided for far too long.

Praise for If the Oceans Were Ink

"A vibrant tale of a friendship.... If the Oceans Were Ink is a welcome and nuanced look at Islam [and] goes a long way toward combating the dehumanizing stereotypes of Muslims that are all too common.... If the Oceans Were Ink should be mandatory reading for the 52 percent of Americans who admit to not knowing enough about Muslims."--The Washington Post

"Journalist Power writes about her year studying the Quran with a Muslim scholar she befriended while working at a think tank in London. For some, this will be a strong introduction to Islam. To others, it's fodder for discussion on the Sheikh's views, how Westerners (such as Power) interpret those views and the interplay of culture and religion." --The Denver Post

"For all those who wonder what Islam says about war and peace, men and women, Jews and gentiles, this is the book to read. It is a conversation among well-meaning friends--intelligent, compassionate, and revealing--the kind that needs to be taking place around the world."--Fareed Zakaria, author of The Post-American World

"Carla Power's intimate portrait of the Quran, told with nuance and great elegance, captures the extraordinary, living debate over the Muslim holy book's very essence. A spirited, compelling read."--Azadeh Moaveni, author of Lipstick Jihad

"An inspiring story of two [people] from different worlds who refuse to let religious and cultural differences, prejudice, and ignorance get in the way of their friendship, If the Oceans Were Ink is as thought-provoking as it is elegantly written. It takes a difficult, highly charged topic and puts it into terms that are not only understandable and eye-opening, but beautiful."--Bustle (11 Beautifully Written Memoirs by Women)

"Unique, masterful, and deeply engaging. Carla Power takes the reader on an extraordinary journey in interfaith understanding as she debates and discovers the Quran's message, meaning, and values on peace and violence, gender and veiling, religious pluralism and tolerance."--John L. Esposito, University Professor and Professor of Islamic Studies, Georgetown University, and author of The Future of Islam

"A thoughtful, provocative, intelligent book."--Diana Abu-Jaber, author of Birds Of Paradise and The Language of Baklava

"With a journalist's mind for the story, a born traveler's heart for the adventure of crossing borders, and a seeker's yen for the poetry and mysticism of belief, Power creates an exceptional record of a timeless quest."--Merritt Tierce, a National Book Foundation "5 Under 35" honoree and author of Love Me Back