Writing

Master the style guidelines of news writing, editing, and common usage with this indispensable guide perfect for students and professional writers everywhere.
The style of The Associated Press is the gold standard for news writing. With the AP Stylebook in hand, you can learn how to write and edit with the clarity and professionalism for which their writers and editors are famous.
The AP Stylebook will help you master the AP's rules on grammar, spelling, punctuation, capitalization, abbreviation, word and numeral usage, and when to use more than instead of over. To make navigating these specialty chapters even easier, the Stylebook includes a comprehensive index.
Fully revised and updated to keep pace with world events, common usage, and AP procedures, The AP Stylebook is the one reference that all writers, editors and students cannot afford to be without.

Throughout his growth as a writer, acclaimed poet Philip Schultz has battled with the dark voice in his head--the "shitbird," as his late friend the poet Ralph Dickey termed it--that whispers his insecurities and questions his ability to create. Persona writing, a method of borrowing the voice and temperament of accomplished writers, offers him imaginative distance and perspective on his own negative inclinations.

In this candid and generous book, Schultz reflects on his early life in an immigrant neighborhood of upstate New York, his first writing experiments inspired by Ernest Hemingway and John Keats, his struggles with dyslexia, and the failures he witnessed in his father's life and his own. Through surprising, sometimes humorous, and encouraging encounters with the writers who influence him--including Elizabeth Bishop, Joan Didion, and Norman Mailer--as well as moving experiences of loss, Schultz learns how to fashion personas out of pain.

Perceptive, enlightening, and profound, Comforts of the Abyss reveals how persona writing can be used as a tool for unlocking a writer's own story, the philosophy on which Schultz founded The Writers Studio in 1987.

NEW YORK TIMES BESTSELLER - A sharp, funny grammar guide they'll actually want to read, from Random House's longtime copy chief and one of Twitter's leading language gurus

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine - Paste - Shelf Awareness

"Essential (and delightful!)"--People

We all write, all the time: books, blogs, emails. Lots and lots of emails. And we all want to write better. Benjamin Dreyer is here to help.

As Random House's copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike--not to mention his followers on social media--for deconstructing the English language with playful erudition. Now he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward.

As authoritative as it is amusing, Dreyer's English offers lessons on punctuation, from the underloved semicolon to the enigmatic en dash; the rules and nonrules of grammar, including why it's OK to begin a sentence with "And" or "But" and to confidently split an infinitive; and why it's best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including "very," "rather," "of course," and the dreaded "actually." Dreyer will let you know whether "alright" is all right (sometimes) and even help you brush up on your spelling--though, as he notes, "The problem with mnemonic devices is that I can never remember them."

And yes: "Only godless savages eschew the series comma."

Chockful of advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people's prose, and--perhaps best of all--an utter treat for anyone who simply revels in language.

Praise for Dreyer's English

"Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer's English."--The Wall Street Journal

"Destined to become a classic."--The Millions

"Dreyer can help you . . . with tips on punctuation and spelling. . . . Even better: He'll entertain you while he's at it."--Newsday

Heresy and the Ideal is a powerful collection of essays and essay-reviews which David Baker wrote and published throughout the 1990s. He thoroughly discusses the work of more than fifty contemporary poets, including T. R. Hummer, Miller Williams, Albert Goldbarth, Jane Kenyon, Galway Kinnell, Charles Simic, Ted Kooser, David Wojahn, Alice Fulton, Louise Glück, and Charles Wright. He takes as his models some of the great critical books of the past three decades, especially Richard Howard's masterpiece, Alone with America, and Helen Vendler's Part of Nature, Part of Us, as well as other works by Laurence Lieberman, Majorie Perloff, Carol Muske, and Mary Kinzie. At its center, Heresy and the Ideal is based on Baker's sense of Romantic poetics, especially on how contemporary poets have applied, altered, or rejected certain Romantic principles. He uses the Romantic trope to measure the tension between passion and reason and between the problems of literary transcendence and the obligations of social engagement. The result is a welcome variety of enlightening, practical criticism devoid of exclusionary jargon and based on persistent attention to an individual poem or book of poems. Utilizing the essay-review, Baker considers each poet's purposes and achievements. He blends the strategies of explanation, analysis, and evaluation, clarifying each poet's work instead of complaining or condemning. Heresy and the Ideal addresses a wide and diverse range of contemporary poetry and should take a deserved place both as a critical introduction to the work of many important poets and as a work that documents and explores the shape of poetry at the end of the millennium.

The New York Times bestselling author of the beloved classic How to Read Literature Like a Professor teaches you how to write everything from a report for your community association to a meaningful memoir in this masterful and engaging guide.

Combing anecdotes and hard-won lessons from decades of teaching and writing--and invoking everyone from Hemingway to your third-grade teacher--retired professor Thomas C. Foster guides you through the basics of writing. With How to Write Like a Writer you'll learn how to organize your thoughts, construct first drafts, and (not incidentally) keep you in your chair so that inspiration can come to visit.

With warmth and wit, Foster shows you how to get into (and over) your best self, how to find your voice, and how to know when, if ever, a piece of work is done.

Packed with enlightening anecdotes, highlighted with lists and bullet points, this invaluable guide reveals how writers work their magic, and reminds us that we all--for better or worse, whether we mean to or not--are known by what we put on paper or screen, both our thoughts and our words.

A Most Anticipated Title from: USA Today * The Guardian * Alma * Fodor's * AV Club * Vogue * KatieCouric.com * BookRiot * Lithub * BuzzFeed

A New Yorker Best Book of 2022

From New York Times bestselling author Jami Attenberg comes a dazzling memoir about unlocking and embracing her creativity--and how it saved her life.

In this brilliant, fierce, and funny memoir of transformation, Jami Attenberg--described as a "master of modern fiction" (Entertainment Weekly) and the "poet laureate of difficult families" (Kirkus Reviews)--reveals the defining moments that pushed her to create a life, and voice, she could claim for herself. What does it take to devote oneself to art? What does it mean to own one's ideas? What does the world look like for a woman moving solo through it?

As the daughter of a traveling salesman in the Midwest, Attenberg was drawn to a life on the road. Frustrated by quotidian jobs and hungry for inspiration and fresh experiences, her wanderlust led her across the country and eventually on travels around the globe. Through it all she grapples with questions of mortality, otherworldliness, and what we leave behind.

It is during these adventures that she begins to reflect on the experiences of her youth--the trauma, the challenges, the risks she has taken. Driving across America on self-funded book tours, sometimes crashing on couches when she was broke, she keeps writing: in researching articles for magazines, jotting down ideas for novels, and refining her craft, she grows as an artist and increasingly learns to trust her gut and, ultimately, herself.

Exploring themes of friendship, independence, class, and drive, I Came All This Way to Meet You is an inspiring story of finding one's way home--emotionally, artistically, and physically--and an examination of art and individuality that will resonate with anyone determined to listen to their own creative calling.

From one of America's most influential teachers, a collection of the best writing advice distilled from fifty language books -- from Aristotle to Strunk and White.

With so many excellent writing guides lining bookstore shelves, it can be hard to know where to look for the best advice. Should you go with Natalie Goldberg or Anne Lamott? Maybe William Zinsser or Stephen King would be more appropriate. Then again, what about the classics -- Strunk and White, or even Aristotle himself?

Thankfully, your search is over. In Murder Your Darlings, Roy Peter Clark, who has been a beloved and revered writing teacher to children and Pulitzer Prize winners alike for more than thirty years, has compiled a remarkable collection of more than 100 of the best writing tips from fifty of the best writing books of all time.

With a chapter devoted to each key strategy, Clark expands and contextualizes the original author's suggestions and offers anecdotes about how each one helped him or other writers sharpen their skills. An invaluable resource for writers of all kinds, Murder Your Darlings is an inspiring and edifying ode to the craft of writing.

Chris Baty, founder of the wildly successful literary marathon known as National Novel Writing Month (NaNoWriMo), has completely revised and expanded his definitive handbook for extreme noveling. Chris pulls from over 15 years of results-oriented writing experience to pack this compendium with new tips and tricks, ranging from week-by-week quick reference guides to encouraging advice from authors, and much more. His motivating mix of fearless optimism and practical solutions to common excuses gives both first-time novelists and results-oriented writers the kick-start they need to embark on an exhilarating creative adventure.

A definitive collection of wisdom on every style of writing and a celebration of the transformative power of the written word from one of the most influential writers and thinkers of the modern age, C. S. Lewis, the beloved author of the Chronicles of Narnia series, Mere Christianity, The Screwtape Letters, and other revered classics.

Featuring over one hundred excerpts--some short and some essay length--drawn from his wide body of letters, books, and essays, On Writing (and Writers) brings together C. S. Lewis's reflections on the power, importance, and joy of a life dedicated to writing.

Writers and devoted readers will be enriched and inspired by Lewis's commentary on a range of genres, including:

On Good WritingOn Writing FictionOn Writing PoetryOn Writing for ChildrenOn Writing Science FictionOn Christian WritingOn Writing PersuasivelyOn Other Writers

Wise and practical, On Writing (and Writers) reveals Lewis's thoughts on both mechanics and style, including choosing adjectives, the art of expression, how to connect with readers, and the core principles of clear, impactful writing.

A window into the mind of one of the greatest public intellectuals of the twentieth century--a gifted writer whose influence and insights remain relevant six decades after his death--this engaging collection reveals not only why Lewis loved the written word, but what it means to "gladly teach" the art of writing, so that wise readers can "gladly learn."

From LAMBDA Literary Award winner Sina Queyras, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind

Thirty years ago, a professor threw a chair at Sina Queyras after they'd turned in an essay on Virginia Woolf.

Queyras returns to that contentious first encounter with Virginia Woolf to recover the body and thinking of that time. Using Woolf's A Room of One's Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one's own at the centre of our idea of a literary life.

How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and on social media.

"With Virginia Woolf alongside them, Queyras journeys through rooms literal and figurative, complicating and deepening our understanding of what it means to create space for oneself as a writer. Their hard-won language challenges us to resist any glib associations of Woolf's famous 'room' with an easy freedom. Inspiring and moving, Queyras's memoir testifies to Woolf's continuing generative power."--Mark Hussey, editor of Virginia Woolf's Between the Acts (2011) and author of Clive Bell and the Making of Modernism (2021)

"In this beautiful, perceptive book, Sina Queyras moves deftly between the words and wake of Virginia Woolf and their own formation as writer, lover, teacher, friend, and person. Rooms is expert in its depiction of personal and literary histories, and firmly aware of its moment of composition. Reading these pages, I was enticed by Queyras's curiosity and openness, thrilled by the sharp edges of their anger. Tight prose, electric thinking, self-discovery - it's all here, all abuzz. Rooms is alive." - Heather Christle, author of The Crying Book

"It is impossible not to question the world as we thought we knew it by the end of this book. Sina Queyras painstakingly aims their extraordinary nerve and talent at Virginia Woolf's idea of a room of one's own: 'It's a mistake to consider the room without all of its entanglements.' Taking Woolf's cue, Queyras explores writing that is not world-building but something far more generous and transformative; as Woolf wrote, 'Literature is open to everybody.'" - CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration

"Delightful." --Mary Norris, The New Yorker

A page-turning, existential romp through the life and times of the world's most polarizing punctuation mark

The semicolon. Stephen King, Hemingway, Vonnegut, and Orwell detest it. Herman Melville, Henry James, and Rebecca Solnit love it. But why? When is it effective? Have we been misusing it? Should we even care?

In Semicolon, Cecelia Watson charts the rise and fall of this infamous punctuation mark, which for years was the trendiest one in the world of letters. But in the nineteenth century, as grammar books became all the rage, the rules of how we use language became both stricter and more confusing, with the semicolon a prime victim. Taking us on a breezy journey through a range of examples--from Milton's manuscripts to Martin Luther King Jr.'s "Letters from Birmingham Jail" to Raymond Chandler's The Big Sleep--Watson reveals how traditional grammar rules make us less successful at communicating with each other than we'd think. Even the most die-hard grammar fanatics would be better served by tossing the rule books and learning a better way to engage with language.

Through her rollicking biography of the semicolon, Watson writes a guide to grammar that explains why we don't need guides at all, and refocuses our attention on the deepest, most primary value of language: true communication.

How would you create a winning pitch for your latest investment idea? Or persuasively argue for a major policy change? Or successfully ask your boss for a raise? The answer: clear and effective communication, whether in writing or through a presentation.

Best-selling author Charles Wheelan has spent decades mastering effective communication skills in his work as a writer, college professor, journalist, speechwriter, political candidate, and public speaker. In Write for Your Life, he shares his best tips. Taking readers through all the steps required to arrive at a coherent first draft, he then explains the best ways to improve and fine-tune your writing. He covers how to organize and present information, why it's necessary to adapt your tone to different audiences, and when to use summaries, sidebars, bullet points, and other tools for making information more digestible. He explores the truth behind popular clichés like Show, don't tell and Kill your darlings, and discusses the proper use and attribution of quotations from secondary sources. And he goes on to cover how to speak effectively, providing helpful advice for preparing a winning presentation or delivering a speech.

Writing with his signature wit and humor, Wheelan illustrates his points with entertaining examples from his own life, as well as memorable anecdotes from leading magazine and newspaper writers, political figures from Winston Churchill to Barack Obama and Elena Kagan, and a diverse array of the best communicators from the worlds of culture, sports, and politics. Write for Your Life is an essential guide for anyone needing to get their ideas across whether in an email, memo, report, presentation, fund-raising letter, or speech.