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American Canon: Literary Genius from Emerson to Pynchon
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Art of Perspective: Who Tells the Story
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Associated Press Stylebook 2020
The style of The Associated Press is the gold standard for news writing. With the AP Stylebook in hand, you can learn how to write and edit with the clarity and professionalism for which their writers and editors are famous.
The AP Stylebook will help you master the AP's rules on grammar, spelling, punctuation, capitalization, abbreviation, word and numeral usage, and when to use "more than" instead of "over." To make navigating these specialty chapters even easier, the Stylebook includes a comprehensive index.
Fully revised and updated to keep pace with world events, common usage, and AP procedures, The AP Stylebook is the one reference that all writers, editors and students cannot afford to be without.
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Bodies of Truth: Personal Narratives on Illness, Disability, and Medicine
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Bukowski in a Sundress
Kim Addonizio is used to being exposed. As a writer of provocative poems and stories, she has encountered success along with snark: one critic dismissed her as "Charles Bukowski in a sundress." ("Why not Walt Whitman in a sparkly tutu?" she muses.) Now, in this utterly original memoir in essays, she opens up to chronicle the joys and indignities in the life of a writer wandering through middle age. Addonizio vividly captures moments of inspiration at the writing desk (or bed) and adventures on the road--from a champagne-and-vodka-fueled one-night stand at a writing conference to sparsely attended readings at remote Midwestern colleges. Her crackling, unfiltered wit brings colorful life to pieces like "What Writers Do All Day," "How to Fall for a Younger Man," and "Necrophilia" (that is, sexual attraction to men who are dead inside). And she turns a tender yet still comic eye to her family: her father, who sparked her love of poetry; her mother, a former tennis champion who struggled through Parkinson's at the end of her life; and her daughter, who at a young age chanced upon some erotica she had written for Penthouse. At once intimate and outrageous, Addonizio's memoir radiates all the wit and heartbreak and ever-sexy grittiness that her fans have come to love--and that new readers will not soon forget.
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Complete Creative Writing Course
The only comprehensive Creative Writing title on the market that goes beyond introducing the basic genres to offering a complete journey along the writing path, including material on editing, redrafting and polishing a piece of work. Featuring the unique Workshop exercises to encourage readers to hone their work rather than just progressing through a number of exercises. It takes the reader from complete beginner or committed amateur to the point where you've completed, edited and redrafted your work and are ready for publication. The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.
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Consider This
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Daemon Voices
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Dear Mister Essay Writer Guy
I have a hot crush on the em dash. What does my need to stuff--while simultaneously fracturing--my sentences--with the meandering, the explanatory, the discursive, the perhaps not-entirely-necessary--say about me?
--Cheryl Strayed Have you ever wished there were an advice columnist for writers, but one who didn't take things so damned seriously? This unique writing guide pairs questions sent in by top contemporary essayists with hilariously witty answers and essays from acclaimed author Dinty W. Moore. Phillip Lopate asks for advice on writing about your ex without sounding like an ass, Julianna Baggott worries that to be a great writer you must drink like a fish, and Roxane Gay asks whether it's kosher to write about writing. Taking advantage of all the tools available to today's personal essayist--egregious puns, embarrassing anecdotes, and cocktail napkins--Professor Moore answers these questions, and more, demystifying the world of nonfiction once and for all. With a tip of the hat to history's most infamous essay--Montaigne's "Of Cannibals"--this book provides rollicking relief for writers in distress.
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Dreyer's English
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine - Paste - Shelf Awareness
"Essential (and delightful!)"--People We all write, all the time: books, blogs, emails. Lots and lots of emails. And we all want to write better. Benjamin Dreyer is here to help. As Random House's copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike--not to mention his followers on social media--for deconstructing the English language with playful erudition. Now he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward. As authoritative as it is amusing, Dreyer's English offers lessons on punctuation, from the underloved semicolon to the enigmatic en dash; the rules and nonrules of grammar, including why it's OK to begin a sentence with "And" or "But" and to confidently split an infinitive; and why it's best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including "very," "rather," "of course," and the dreaded "actually." Dreyer will let you know whether "alright" is all right (sometimes) and even help you brush up on your spelling--though, as he notes, "The problem with mnemonic devices is that I can never remember them." And yes: "Only godless savages eschew the series comma." Chockful of advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people's prose, and--perhaps best of all--an utter treat for anyone who simply revels in language.
Praise for Dreyer's English
"Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer's English."--The Wall Street Journal "Destined to become a classic."--The Millions "Dreyer can help you . . . with tips on punctuation and spelling. . . . Even better: He'll entertain you while he's at it."--Newsday
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Elements of Fiction
In his essential writing guide, This Year You Write Your Novel, Walter Mosley supplied aspiring writers with the basic tools to write a novel in one year. In this com-plementary follow up, Mosley guides the writer through the elements of not just any fiction writing, but the kind of writing that transcends convention and truly stands out. How does one approach the genius of writers like Melville, Dickens, or Twain? In The Elements of Fiction, Walter Mosley contemplates the answer.
In a series of instructive and conversational chapters, Mosley demonstrates how to master fiction's most essential elements: character and char-acter development, plot and story, voice and narrative, context and description, and more. The result is a vivid depiction of the writing process, from the blank page to the first draft to rewriting, and rewriting again. Throughout, The Elements of Fiction is enriched by brilliant demonstrative examples that Mosley himself has written here for the first time.
Inspiring, accessible, and told in a voice both trustworthy and wise, The Elements of Fiction writing will intrigue and encourage writers and readers alike.
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First You Write a Sentence: The Elements of Reading, Writing . . . and Life
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Have You Eaten Grandma?
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Heresy and the Ideal : On Contemporary Poetry
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How to Craft a Great Story
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Language of Inquiry
Central to these essays are the themes of time and knowledge, consciousness and perception. Hejinian's interests cover a range of texts and figures. Prominent among them are Sir Francis Bacon and Enlightenment-era explorers; Faust and Sheherazade; Viktor Shklovsky and Russian formalism; William James, Hannah Arendt, and Martin Heidegger. But perhaps the most important literary presence in the essays is Gertrude Stein; the volume includes Hejinian's influential Two Stein Talks, as well as two more recent essays on Stein's writings.
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Making of Poetry: Coleridge, the Wordsworths, and Their Year of Marvels
Brimming with poetry, art, and nature writing--Wordsworth and Coleridge as you've never seen them before
June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and "Kubla Khan," as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth's revolutionary songs in Lyrical Ballads along with "Tintern Abbey," Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.- Please log in to review this product
No Plot? No Problem! Revised and Expanded Edition
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On Writing : A Memoir of the Craft, 10th Anniversary Edition
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Pity the Reader
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Readings for Writers
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Rose Metal Press Field Guide to Writing Flash Nonfiction
Featuring essays from: Barrie Jean Borich, Jenny Boully, Norma Elia Cantú, Rigoberto González, Carol Guess, Jeff Gundy, Philip Graham, Robin Hemley, Barbara Hurd, Judith Kitchen, Eric LeMay, Dinah Lenney, Bret Lott, Patrick Madden, Lee Martin, Maggie McKnight, Brenda Miller, Kyle Minor, Aimee Nezhukumatathil, Anne Panning, Lia Purpura, Sue William Silverman, Jennifer Sinor, Peggy Shumaker, Ira Sukrungruang, and Nicole Walker.
THE ROSE METAL PRESS FIELD GUIDE TO WRITING FLASH NONFICTION, edited by the invaluable Dinty W. Moore, is a lot more than flashy. These thoughtful, thought-provoking essays and exercises have the paradoxical effect of slowing down our attention and encouraging an expansion of the moment, while seeming to be saving writing and reading time. A very useful compilation.--Phillip Lopate, author of Art of the Personal Essay
Flash-in-the-pan? Hardly. The flash nonfiction genre has staying power, and THE ROSE METAL PRESS FIELD GUIDE TO WRITING FLASH NONFICTION will show you why. Opening with a thorough and informative history of the genre, renowned writer, editor, and teacher Dinty W. Moore assembles a cast of writers who share their expertise, suggest writing exercises, and provide exemplary models of the best flash nonfiction being written today. This book is required reading for any writer, editor, or teacher of the brief nonfiction form.--Rebecca McClanahan, author of The Riddle Song and Other Rememberings and Word Painting
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Scandal of the Century
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Serious Noticing: Selected Essays, 1997-2019
The definitive collection of literary essays by The New Yorker's award-winning longtime book critic
Ever since the publication of his first essay collection, The Broken Estate, in 1999, James Wood has been widely regarded as a leading literary critic of the English-speaking world. His essays on canonical writers (Gustav Flaubert, Herman Melville), recent legends (Don DeLillo, Marilynne Robinson) and significant contemporaries (Zadie Smith, Elena Ferrante) have established a standard for informed and incisive appreciation, composed in a distinctive literary style all their own.
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Story Cure: A Book Doctor's Pain-Free Guide to Finishing Your Novel or Memoir
all levels. His hard-hitting handbook provides inspiring solutions for diagnoses such as character anemia, flat plot, and silent voice, and is peppered with flashes of Moore's signature wit and unique take on the writing life.
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Storyville!
Whether you are daunted by a blinking cursor or frustrated trying to get the people in your head onto the page, writing stories can be intimidating. It takes passion, tenacity, patience, and a knowledge of?and faith in?the often-digressive writing process. A do-it-yourself manual for the apprentice fiction writer, Storyville! demystifies that process; its bold graphics take you inside the writer's comfortingly chaotic mind and show you how stories are made.
In Storyville!, seasoned guide John Dufresne?whose approach "will anchor the newbie and entertain the veteran" (San Francisco Chronicle)?provides practical insight into the building blocks of fiction, including how to make the reader see your characters, create a suspenseful plot, and revise, revise, revise. Storyville! is a combination handbook and notebook, with original prompts and exercises crafted with Dufresne's singular dry wit and Evan Wondolowski's playful and illuminating graphics on every page.
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Synthesizing Gravity: Selected Prose
The first-ever collection of essays by one of our most distinguished and distinctive poets, Pulitzer Prize-winner and former Poet Laureate of the United States, Kay Ryan
Synthesizing Gravity gathers for the first time a thirty-year selection of Kay Ryan's probings into aesthetics, poetics, and the mind in pursuit of art.
A bracing collection of critical prose, book reviews, and her private previously unpublished soundings of poems and poets-- including Robert Frost, Stevie Smith, Marianne Moore, William Bronk, and Emily Dickinson-- Synthesizing Gravity bristles with Ryan's crisp wit, her keen off-kilter insights, and her appetite and appreciation for the genuine. Among essays like "Radiantly Indefensible," "Notes on the Danger of Notebooks," and "The Abrasion of Loneliness," are piquant pieces on the virtues of emptiness, forgetfulness, and other under-loved concepts. Edited and with an introduction by Christian Wiman, this generous collection of Ryan's distinctive thinking gives us a surprising look into the mind of an American master.
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