Writing

Throughout his growth as a writer, acclaimed poet Philip Schultz has battled with the dark voice in his head--the "shitbird," as his late friend the poet Ralph Dickey termed it--that whispers his insecurities and questions his ability to create. Persona writing, a method of borrowing the voice and temperament of accomplished writers, offers him imaginative distance and perspective on his own negative inclinations.

In this candid and generous book, Schultz reflects on his early life in an immigrant neighborhood of upstate New York, his first writing experiments inspired by Ernest Hemingway and John Keats, his struggles with dyslexia, and the failures he witnessed in his father's life and his own. Through surprising, sometimes humorous, and encouraging encounters with the writers who influence him--including Elizabeth Bishop, Joan Didion, and Norman Mailer--as well as moving experiences of loss, Schultz learns how to fashion personas out of pain.

Perceptive, enlightening, and profound, Comforts of the Abyss reveals how persona writing can be used as a tool for unlocking a writer's own story, the philosophy on which Schultz founded The Writers Studio in 1987.

NEW YORK TIMES BESTSELLER - A sharp, funny grammar guide they'll actually want to read, from Random House's longtime copy chief and one of Twitter's leading language gurus

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine - Paste - Shelf Awareness

"Essential (and delightful!)"--People

We all write, all the time: books, blogs, emails. Lots and lots of emails. And we all want to write better. Benjamin Dreyer is here to help.

As Random House's copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike--not to mention his followers on social media--for deconstructing the English language with playful erudition. Now he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward.

As authoritative as it is amusing, Dreyer's English offers lessons on punctuation, from the underloved semicolon to the enigmatic en dash; the rules and nonrules of grammar, including why it's OK to begin a sentence with "And" or "But" and to confidently split an infinitive; and why it's best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including "very," "rather," "of course," and the dreaded "actually." Dreyer will let you know whether "alright" is all right (sometimes) and even help you brush up on your spelling--though, as he notes, "The problem with mnemonic devices is that I can never remember them."

And yes: "Only godless savages eschew the series comma."

Chockful of advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people's prose, and--perhaps best of all--an utter treat for anyone who simply revels in language.

Praise for Dreyer's English

"Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer's English."--The Wall Street Journal

"Destined to become a classic."--The Millions

"Dreyer can help you . . . with tips on punctuation and spelling. . . . Even better: He'll entertain you while he's at it."--Newsday

Winner of the H.R.F. Keating Award for best biographical/critical book related to crime fiction, and nominated for the Edgar Allen Poe and Macavity Awards for Best Critical/Biographical book.

Ninety crime writers from the world's oldest and most famous crime writing network give tips and insights into successful crime and thriller fiction.

Howdunit offers a fresh perspective on the craft of crime writing from leading exponents of the genre, past and present. The book offers invaluable advice to people interested in writing crime fiction, but it also provides a fascinating picture of the way that the best crime writers have honed their skills over the years. Its unique construction and content mean that it will appeal not only to would-be writers but also to a very wide readership of crime fans.

The principal contributors are current members of the legendary Detection Club, including Ian Rankin, Val McDermid, Peter James, Peter Robinson, Ann Cleeves, Andrew Taylor, Elly Griffiths, Sophie Hannah, Stella Duffy, Alexander McCall Smith, John Le Carré and many more.

Interwoven with their contributions are shorter pieces by past Detection Club members ranging from G.K. Chesterton, Dorothy L. Sayers, Agatha Christie and John Dickson Carr to Desmond Bagley and H.R.F. Keating.

The book is dedicated to Len Deighton, who is celebrating 50 years as a Detection Club member and has also penned an essay for the book.

The contributions are linked by short sections written by Martin Edwards, the current President of the Club and author of the award-winning The Golden Age of Murder.

A Most Anticipated Title from: USA Today * The Guardian * Alma * Fodor's * AV Club * Vogue * KatieCouric.com * BookRiot * Lithub * BuzzFeed

A New Yorker Best Book of 2022

From New York Times bestselling author Jami Attenberg comes a dazzling memoir about unlocking and embracing her creativity--and how it saved her life.

In this brilliant, fierce, and funny memoir of transformation, Jami Attenberg--described as a "master of modern fiction" (Entertainment Weekly) and the "poet laureate of difficult families" (Kirkus Reviews)--reveals the defining moments that pushed her to create a life, and voice, she could claim for herself. What does it take to devote oneself to art? What does it mean to own one's ideas? What does the world look like for a woman moving solo through it?

As the daughter of a traveling salesman in the Midwest, Attenberg was drawn to a life on the road. Frustrated by quotidian jobs and hungry for inspiration and fresh experiences, her wanderlust led her across the country and eventually on travels around the globe. Through it all she grapples with questions of mortality, otherworldliness, and what we leave behind.

It is during these adventures that she begins to reflect on the experiences of her youth--the trauma, the challenges, the risks she has taken. Driving across America on self-funded book tours, sometimes crashing on couches when she was broke, she keeps writing: in researching articles for magazines, jotting down ideas for novels, and refining her craft, she grows as an artist and increasingly learns to trust her gut and, ultimately, herself.

Exploring themes of friendship, independence, class, and drive, I Came All This Way to Meet You is an inspiring story of finding one's way home--emotionally, artistically, and physically--and an examination of art and individuality that will resonate with anyone determined to listen to their own creative calling.

In the first major history of crime fiction in fifty years, The Life of Crime: Detecting the History of Mysteries and their Creators traces the evolution of the genre from the eighteenth century to the present, offering brand-new perspective on the world's most popular form of fiction.

Author Martin Edwards is a multi-award-winning crime novelist, the President of the Detection Club, archivist of the Crime Writers' Association and series consultant to the British Library's highly successful series of crime classics, and therefore uniquely qualified to write this book. He has been a widely respected genre commentator for more than thirty years, winning the CWA Diamond Dagger for making a significant contribution to crime writing in 2020, when he also compiled and published Howdunit: A Masterclass in Crime Writing by Members of the Detection Club and the novel Mortmain Hall. His critically acclaimed The Golden Age of Murder (Collins Crime Club, 2015) was a landmark study of Detective Fiction between the wars.

The Life of Crime is the result of a lifetime of reading and enjoying all types of crime fiction, old and new, from around the world. In what will surely be regarded as his magnum opus, Martin Edwards has thrown himself undaunted into the breadth and complexity of the genre to write an authoritative - and readable - study of its development and evolution. With crime fiction being read more widely than ever around the world, and with individual authors increasingly the subject of extensive academic study, his expert distillation of more than two centuries of extraordinary books and authors - from the tales of E.T.A. Hoffmann to the novels of Patricia Cornwell - into one coherent history is an extraordinary feat and makes for compelling reading.

A New York Times bestseller

One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power--and why we love them so much.

Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech--the urgency with which we say f&*k! is instead related to the instinct that tells us to flee from danger.

Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic. In a particularly coarse moment, when the public discourse is shaped in part by once-shocking words, nothing could be timelier.

NEW YORK TIMES BEST SELLER - An insightful look into the mind of a master storyteller--and a unique look at the craft of writing from the beloved and best-selling author of 1Q84, Norwegian Wood, and What I Talk About When I Talk About Running.

"Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers" --New York Times Book Review

A MOST ANTICIPATED BOOK: Esquire, Vulture, LitHub, New York Observer

Aspiring writers and readers who have long wondered where the mysterious novelist gets his ideas and what inspires his strangely surreal worlds will be fascinated by this engaging book from the internationally best-selling author. Haruki Murakami now shares with readers his thoughts on the role of the novel in our society; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians.

Here are the personal details of a life devoted to craft: the initial moment at a Yakult Swallows baseball game, when he suddenly knew he could write a novel; the importance of memory, what he calls a writer's "mental chest of drawers"; the necessity of loneliness, patience, and his daily running routine; the seminal role a carrier pigeon played in his career and more.

"What I want to say is that in a certain sense, while the novelist is creating a novel, he is simultaneously being created by the novel as well." --Haruki Murakami

They say writing is rewriting. So why does the second part get such short shrift? Refuse To Be Done will guide you through every step of the novel writing process, from getting started on those first pages to the last tips for making your final draft even tighter and stronger.

From lauded writer and teacher Matt Bell, Refuse to Be Done is encouraging and intensely practical, focusing always on specific rewriting tasks, techniques, and activities for every stage of the process. You won't find bromides here about the "the writing Muse." Instead, Bell breaks down the writing process in three sections. In the first, Bell shares a bounty of tactics, all meant to push you through the initial conception and get words on the page. The second focuses on reworking the narrative through outlining, modeling, and rewriting. The third and final section offers a layered approach to polishing through a checklist of operations, breaking the daunting project of final revisions into many small, achievable tasks.

Whether you are a first time novelist or a veteran writer, you will find an abundance of strategies here to help motivate you and shake up your revision process, allowing you to approach your work, day after day and month after month, with fresh eyes and sharp new tools.

The poems of John Keats, Walt Whitman, Emily Dickinson, Wallace Stevens, Marianne Moore, Gwendolyn Brooks and W. S. Merwin are carefully studied and cleverly defined in Seek After: On Seven Modern Lyric Poets. David Baker meticulously curated twenty-three essays that explores the verses of these poets, where at times an author goes in depth on the form of the poem: Carl Phillips writes the technique of using an ellipsis shows "Stevens seems to want to emphasize the break, the breach between the figurative world we've just left and the literal one we've been abandoned to." Baker states that "we tend to overlook Moore's exceptions and substitutions" in her unconventional syllabics. In addition to the "polyvocal, fragmentary, and overtly sociopolitical in nature" prose of Brooks, Meghan O' Rourke claims "to read "Riot" is to have to ask why it ends with an invocation of individual and--crucially--erotic renewal." Rosanna Warren notes "the conventional lyric preoccupation with time passing, then, translates for Merwin into the particular grief of time running out for many species of plants and animals, and perhaps for the earth itself."

The influential poets of today's literature show that these nineteenth-and twentieth-century poets paved the way for contemporary poetry. Linda Gregerson asserts that "Walt Whitman did change forever the possibilities of American poetic speech: he enabled American poetry to leap quite over the Victoriana that so beautifully elaborated, and stultified, English lyric production," and Ann Townsend believes that "Emily Dickinson's poems do not live apart from the world; they are the world." Seek After requests that the reader searches for the ability to find what "a whole life is," as Rosanna Warren says, once they have finished this insightful collection of essays.

A collection of cures for writer's block, plotting and characterization issues, and other ailments writers face when completing a novel or memoir, prescribed by the director of creative writing at Ohio University.

People want to write the book they know is inside of them, but they run into stumbling blocks that trouble everyone from beginners to seasoned writers. Drawing on his years of teaching at both the university level and at writing workshops across the country, Professor Dinty W. Moore dons his book-doctor hat to present an authoritative guide to curing the issues that truly plague writers at
all levels. His hard-hitting handbook provides inspiring solutions for diagnoses such as character anemia, flat plot, and silent voice, and is peppered with flashes of Moore's signature wit and unique take on the writing life.

How would you create a winning pitch for your latest investment idea? Or persuasively argue for a major policy change? Or successfully ask your boss for a raise? The answer: clear and effective communication, whether in writing or through a presentation.

Best-selling author Charles Wheelan has spent decades mastering effective communication skills in his work as a writer, college professor, journalist, speechwriter, political candidate, and public speaker. In Write for Your Life, he shares his best tips. Taking readers through all the steps required to arrive at a coherent first draft, he then explains the best ways to improve and fine-tune your writing. He covers how to organize and present information, why it's necessary to adapt your tone to different audiences, and when to use summaries, sidebars, bullet points, and other tools for making information more digestible. He explores the truth behind popular clichés like Show, don't tell and Kill your darlings, and discusses the proper use and attribution of quotations from secondary sources. And he goes on to cover how to speak effectively, providing helpful advice for preparing a winning presentation or delivering a speech.

Writing with his signature wit and humor, Wheelan illustrates his points with entertaining examples from his own life, as well as memorable anecdotes from leading magazine and newspaper writers, political figures from Winston Churchill to Barack Obama and Elena Kagan, and a diverse array of the best communicators from the worlds of culture, sports, and politics. Write for Your Life is an essential guide for anyone needing to get their ideas across whether in an email, memo, report, presentation, fund-raising letter, or speech.